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Issue 146 PDF
I’m not meaning to denigrate any particular competition or genre, a purely aesthetic ranking of photographs is not inherently bad in any way, but it can leave one with a desire for something extra. more
Large Format Lenses – The Standards
When people first try out large format photography and they come to the choice of lens for their first kit, they typically make a few common mistakes. more
End frame: Pale Shelter by Mark Littlejohn
Why am I drawn to it so much? I think the combination of the blizzard-like conditions, which produce a whiteout around the whole border of the image, added to the deep snow on the ground make for a truly beautiful winter scene. more
Limestone Landscapes
One rock stands out, to me, as just that little bit different, that little bit special – limestone. Limestone has a story to tell like no other, a story that spans the vastness of geological time and yet one that continues on a scale more comprehensible to humans. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Fabrizio Marocchini, Harris Steinman, Paolo Berto & Richard Ellis more
Geoff Woods
The image is very important, it must have feeling, and it must speak for you when you’re not there. A picture must say a thousand words as they say. more
Exhibition 2
Ian Cameron and I have joined forces for our second shared exhibition. There is no ‘theme’ as such to the exhibition as it is a selection of the work we have produced individually over the last two years. more
Chalk Hills White Horses
A surprise to find the words when photographing the White Horses and Hill figures in Southern England. more