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Issue 349
Click here to download issue 349 (high quality, 137Mb) Click here to download issue 349 (smaller download, 74Mb) more
End frame: Point Five Gully by Jean-Marc Boivin
This image’s stop-you-in-your-tracks shock and awe works precisely because the climber is obscured, dehumanised, turned into an object or perhaps an extension of the mountain. He is marked, claimed. more
Lightroom Insights
This time, we're looking at a couple of images submitted by Ross Davidson. They're both taken from near the summit of Ben Nevis and feature a few editing challenges. more
Hanneke Van Camp
Arctic Europe is a vast and diverse region, but while the environments themselves can be quite different, from mountains and fells to taiga, tundra and the coast, there’s also a certain consistency in the kind of light, atmosphere and the sense of space. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Chris Nowell, Annika Öhman, Tom Zimberoff & Lane Shipsey. more
How to Develop Your Composition Skills by Ignoring the Grand Landscape
Instead of recipes and rules, I found a framework: Once we, as photographers, have found a scene we want to turn into a photograph, we can layer and blend these concepts, choosing the best tools based on the subject we are photographing and the visual message we hope to convey. more
Zalman Wainhaus – Portrait of a Photographer
He is interested in the moment when a dune ridge catches fire for thirty seconds at dusk, or when fog reduces a canyon wall to a suggestion, or when a single autumn leaf lands on rippled sand and becomes the only warm note in a composition of cool curves. more
Ballachuan Wood
The fact that this wood has not been ‘farmed’ has, over time, allowed a rich and complex ecosystem to evolve, supporting the interconnection between trees, fungi, bryophytes, lichens, insects, birds and animals. more