on landscape The online magazine for landscape photographers
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A Letter from America

I contemplated a workshop revisiting the amazing Italian Dolomites or, alternatively, a road trip through Montana and North Dakota exploring the ghost towns and abandoned farms there. After much deliberation, in the end, I chose the road trip as it promised to be different from anything I had done before. more

On Landscape Issue80
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Issue 280

Click here to download issue 280 (high quality, 134Mb) Click here to download issue 280 (smaller download, 87Mb) more

Betweendogandwolf10 2005
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End frame: Between Dog and Wolf by Chrystel Lebas

The title Between Dog and Wolf refers to the French expression entre chien et loup, which is used to describe the time of day when it is too dark to distinguish between a dog and a wolf. more

Olympus Digital Camera
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4×4 Portfolios

Our 4x4 feature is a set of four mini landscape photography portfolios submitted by: Ian Meades, Katherine Keates, Maurizio Catania & Steve J. Giardini more

Winter's Carpet V2
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Solitude or Isolation?

I love the connection with nature, the time spent in the elements, and the sheer joy of creating and printing an image. The benefits to me are immeasurable and far outweigh any downside more

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Defining Self Expression in Photography

Thinking about all this brought to mind the Paul Strand quote above. I confess that this quote used to cause me much consternation. Do I have something to say about the world? If so, what is it? Am I supposed to be saying something about the world in my photographs? more

Sunlit Nolina
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Sigfrido Zimmermann

I find joy in sharing my knowledge of biology with my audience and especially when I’m able to do that through my photographs. I like to bring awareness to organisms or ecological processes that my audience might not have known about. more

Lancaster Canal Ice
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Black in the Landscape

Real black is rather rare in the landscape. The black clouds on the horizon, the black depths of a lake, or the blackness of the night sky are rarely, in fact, black. Photographers require light to record on film or a digital sensor, and black is the absence of light. Black surfaces are those that absorb most of the light falling on them and emit little back more

Pic 05 Truskova
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Through the Imaginative Landscape of J. M. W. Turner

Seven photographers and one painter from the Czech Republic participated in the project on J. M. W. Turner - Miroslava Bedřichová, Jitka Bejdáková, Hana Janíčková, Vladimír Kysela, Lea Luxemburgová, Miroslava Trusková, Břetislav Ulrich a Stanislav Zela. more

On Landscape Issue80
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Issue 279

Click here to download issue 279 (high quality, 125Mb) Click here to download issue 279 (smaller download, 62Mb) more

Dancing In The Moonlight 2
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End frame: Dancing in the Moonlight by Wim Vooijs

While they are not mirror images, they are beautifully balanced. The reflection is like an echo of the moon.   more

Book
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Theo Bosboom – Back to Iceland

Theo’s book, Iceland Pure sits alongside my copy of the Haaberg’s Iceland in All its Splendour and Hans Strand’s Iceland: Above and Below as my reference sources for images of Iceland’s sublime beauty. more

Zion Sandstone Lines #3
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Jim Becia – Portrait of a Photographer

I think my main takeaway from studying Jim’s work and his approach to making images is that we should all give ourselves permission to focus on things that bring us joy instead of chasing what has become popular. more

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Landscape Narratives

‘Landscape Narratives’ is a series of visual conversations taking place between colour, shape and texture. All three of these elements can be found in landscapes from the broad flatlands or rolling gentle hills to mountainous regions and anywhere in between. more

Milton, 2021
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Michael Faint

The light is utterly absorbing, especially the late evening light of autumn and spring, and never ceases to amaze. In recognition, I titled my website An Solas Òir, ‘The Golden Light’ in Gaelic. more

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