


End frame: South Stack Lighthouse, Holy Island, Anglesey 1978, Denis Thorpe
Still photographing in his late eighties from his home in Stockport, England, Denis Thorpe’s landscape images demonstrate the power that derives from locating them within the context of a broad range of other photographic genres. more

Subscribers 4×4 Portfolios
Welcome to our 4x4 feature which is a set of four mini landscape photography portfolios submitted from our subscribers: Alexey Korolyov, Brian Pollock, Himadri Bhuyan & R. J. Kern more

My Important Way
Experiences are the building blocks of life. If making a popular and lucrative photograph requires that one eschew more elevated and personally meaningful experiences, even if yielding no product, then I say: to hell with that photograph. more

An Artist’s Journey
This journey toward the finding of such meaning is one every artist must embark on at one point or the other, not only to become a better artist but to become a content - if not an outright happy - individual. more

Luca Tombolini
The images are the visible part of the experience but what’s hidden in them is the adventure and the magic that I went into. more

QT Luong – Portrait of a Photographer
QT Luong was the first person to photograph all 62 National Parks, an impressive feat on its own right; however, he did so with a large format film camera. more

Sacred Forests
There’s a special place in the heart of Italy, right between Tuscany and Emilia-Romagna regions. Far from the iconic places in the country like the Dolomites, Val d’ Orcia, Cinque Terre and so on, but full of great natural views and photographic inspirations. In these forests, I spent my last four years trying to catch their soul and putting myself in front of a blank white page. more

Issue 243 PDF
Click here to download issue 243 (high quality, 168Mb) Click here to download issue 243 (smaller download, 104Mb) more

End Frame: Crossed Aspens and Sapling, near Ashcroft, Colorado By John Sexton
‘Desert Island Discs’ is a long running BBC Radio 4 series that was first broadcast on what was then the BBC Forces Programme on the 29th January 1942, with its first guest being Vic Oliver, actor and radio comedian. The format of the show for those who aren’t familiar with British radio is that people who have made a name for themselves in whatever field, (I hesitate to use the word ‘celebrity) are invited to imagine that they have more

Natural Landscape Photography Awards
I’ve tried to keep news about the Natural Landscape Photography Awards to a minimum as, although it has taken up a lot of my bandwidth, continuous updates would soon get boring I imagine. However, it’s over! (well the “awards” part of it anyway). Just over a week ago, we announced the winners and runners up of all of the categories and also a few extra awards, which I’ll come onto in a bit. We are all incredibly happy with more

A Year of Photographs
Not necessarily my best pictures of the year, they are nevertheless ones that I am fond of, or intrigued by…and which haven’t yet appeared in On Landscape! The captions aim to provide a little background to their origins, and why I chose them. more

For the Sake of the Image
Has the craft of photography lessened over the years? Has digital imagery removed the getting it right in camera, in favour of Photoshop and Lightroom, in which case is it digital art rather than photography, in the strictest sense? more

Beloved
This became a project about crossing boundaries, both geographic and linguistic. It weaves a story through world cultural history in an accessible way, from a personal point of view. It illuminates a universal human story. more

Johan Stadling
The images we’ve chosen for our interview draw very much on his predilection for pattern; even the birds sit within complexities of shape and form. more

Blue Period
I have enjoyed my time capturing these images and in sitting with them to listen to their stories. As I continue to visit new landscapes, I will keep these scenes in mind to appreciate the world we have and the beauty they bring to our lives. more