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Gheorghe Popa
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
One Hand Snapping
My photography has changed. Having been forced to work more slowly, I am more used to a slower, more considered approach to my image-making. more
Issue 238 PDF
Click here to download issue 238 (high quality, 110Mb) Click here to download issue 238 (smaller download, 54Mb) more
End frame: Twin Oaks 1956, Wynn Bullock
The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Christophe Wilmotte, Peter Dyer, Sandra Roberts Sara Harley more
The Experience is All
I have found that in order to make my most meaningful and expressive photographs I had to learn to put photography out of my mind—to not allow it any attention at all until called upon by some aspect of a meaningful experience to make a photograph. more
Nobody Expects the Inquisition!
One of my overarching motivations for photographing is to explore the gap between how the combination of my mind and eye apprehend reality and how a camera and lens render that. more
Ângelo Jesus
I consider myself mostly a reactive and instinctive photographer and as I said before, I always like the idea of waiting for nature to speak to me and show me the way. I think the key is full observation, patience and persistence. more
Jerry Greer – Portrait of a Photographer
Jerry’s new project, “Dust to Dust” focuses on the impacts on both the natural environment of the region as well as the impacts to the built environment and the various intersections of each. more
Wood to see Trees
I did a little more research and found an online gallery of homemade technical cameras, featuring odd lenses mounted on plywood or cannibalised Fuji 680s and an incongruous digital camera clinging to the back. I also looked at Sony adapters for 5x4 cameras. Perhaps I could re-use my Shen Hao folding field camera and just use large format lenses. more
Issue 237 PDF
Click here to download issue 237 (high quality, 120Mb) Click here to download issue 237 (smaller download, 80Mb) more
End frame: Fruit Trees, Laimbach, 2010 by Bernhard Fuchs
To me, his photography encompasses an absolute mastery of the technical side of the medium with a strong sense of emotion more
Colours of Summer
Everyone loves the long hot summer days, the short, warm nights, the bright greens of summer…everyone it seems, except grumpy old landscape photographers! more
Southern Manscapes
Man's influence on the landscape here is obvious and almost unavoidable photographically. I decided to embrace this and to make the transformation of the land and man's influence on it the subject of the photographs. more
Interview with David Magee
My earliest memories are of being by the sea. It is alive, it has a voice and a beating heart. It is a literal force of Nature. Every time I’m close to the sea I feel a calming sense of serenity and security. Especially the coastline of West Cork. more