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Benjamin Graham
Nothing like a near-death experience to focus the mind, eh? And so began my period of de-stressing, downscaling and of simplification in my existence. And of the uptake of photography as a second career. more
Celebrating Wilderness Photographer Philip Hyde
Although the photographic world has changed dramatically since Phil was pioneering conservation photography, the great need for vigilance, activism and the sharing of our photographs to inspire others has not. more
Phases
Continual growth and development as a product of the evolution of vision is a constant among all serious photographers and artists in general. However, there is a difference between evolution of vision and “finding” one’s vision. more
Issue 213 PDF
Click here to download issue 213 (high quality, 120Mb) Click here to download issue 213 (smaller download, 68Mb) more
End frame: Fluitenkruid – Nel Talen
I first encountered Nel’s work through the International Garden Photographer of the Year competition. She was a finalist in the creative category with a very delicate, ethereal composition that immediately resonated with me. more
Norðurland Exhibition
Andrew Bulloch - you won the Youth Category of the Landscape Photographer of the Year in 2017. Could you tell me a little bit about how you got into photography and how you ended up entering and winning the category more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Andrew Simpson, João Quintela, Oleg Ershov & Xavier Arnau Bofarull more
On Photographic Technology
No matter how conservative or traditional we are, or wish to be, in our work, I believe that a proactive and rational approach to assimilating (or rejecting) new technologies is a better strategy than to be in denial of them. more
Portrait of a Photographer – Anna Morgan
I get the sense that the subject is much deeper than a collection of simple objects in nature, rather, each image asks the viewer to reflect deeper within oneself to find something more. more
Jane Fulton Alt
Much of Jane’s work evolves around cycles of life; whether we recognise it or not photography is both a response and an antidote for us all to personal circumstances as well as those that impinge upon our existence. more
Using Dark Tones to Create Drama and Tension
Dark images can elicit a vicarious emotional response, heightening our senses and engaging us to imagine tension, isolation or a sense of danger. more
A Cairngorms Learning Curve
I wanted to head deep into the Cairngorms to one of the places I’d longed to photograph in winter for many years; the Loch A’an Basin. more
Winter Trees
Cottonwood trees grow there and show lovely, soft spring green leaves as the season begins, and develop a deep rich green that contrasts with the dark red sandstone walls. more
Issue 212 PDF
Click here to download issue 212 (high quality, 189Mb) Click here to download issue 212 (smaller download, 140Mb) more
Robert Adams
I have wanted to write an article about Robert Adams for some time. Not because I know a lot about him. On the contrary, it is because I know so little about him that I wanted an excuse to find out more. more