Join the conversation
Subcribe to comment rss feed
Issue 219 PDF
Click here to download issue 219 (high quality, 156Mb) Click here to download issue 219 (smaller download, 87Mb) more
10 Years of On Landscape
In celebration of our ten years of publishing our magazine, we thought we'd pick some of our favourite content for you to look back on, particularly if you weren't a subscriber from early days. more
End frame: Trump Tower, Manhattan by Roger Arnall
Roger is an Australian photographer who will be known personally to many readers. We first crossed paths on a 'light and land' tour twelve years ago, and have travelled together many times since. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Gary Tucker, Nils Leonhardt, Peter Reid & Phil Pither. more
Abstraction in Photography
Appreciation of abstract photography also requires a degree of openness on the part of viewers—a willingness to allow an abstract image to impart its intended effect, rather than just to serve as a means of portraying recognisable objects or scenes. more
Andy Holliman
Here at On Landscape we're always keeping an eye out for interesting, personal projects, particularly ones that work outside of the usual photogenic subjects. more
Eigg without Rùm
The island of Eigg is the second largest and most populous of the Small Isles located off the west coast of Scotland south of Skye. From the mainland and arriving by sea Eigg is impossible to mistake with its towering rock prow of volcanic origin: An Sgurr more
Stay longer, look closer, dig deeper
I've followed Eliot's work since Steve Coleman interviewed him back in 2015. Eliot's work has been prolific since then, working on different collaborations and projects, whilst exploring different mediums for expressing his work; from handmade books, printed books, and his most challenging project "Country Made of Dirt". more
In Celebration of Projects
The mandatary ‘lockdown’ of March/April 2020 enabled me to look again very much closer to home but this time venturing in a different geographical direction, one that followed sandy narrow trails, quite at odds with the rocky greater forest around them. more
Issue 218 PDF
Click here to download issue 218 (high quality, 170Mb) Click here to download issue 218 (smaller download, 120Mb) more
End frame: Cape Light – Joel Meyerowitz
We are all exposed to a massive amount of photography, growing at an exponential rate, but how many of these images ever really stick with us? How many have the profound effect that the artist probably hoped for? How many times have you viewed an image that changed your life? more
William Neill – “Light on the Landscape”
If you ever think “what would Ansel Adam’s work be like if he’d taken up colour photography instead of black and white?” then the answer is, depressingly, pretty bad as his short trial of early colour film goes to show. If he’d used colour film from a young age and developed his craft I don’t think he would have been too far from what we see from William Neill. more
Photographing gardens designed by Sir Humphry Repton
You might be lucky and the commission is to photograph an area you know well and have lots of insider knowledge about best times and weather conditions and the client has lots of time for you to choose the best day to visit. more
Walking through the Ampezzo Dolomites
I was clear on what story I wanted to tell and I was clear on how I should do it. I worked with “tilt&shift” architectural lenses; for me, these were no longer mountains, but sculptures more
