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End frame: Lochan Na Staigne, Clach Leathad, Meall a Bhuiridh by Joe Cornish
Tony Gaskins chooses one of his favourite images
Subscribers 4×4 Portfolios
Dan Montesi, Kerry Gordon, Lucy Littleton & David Fanning
Jon Gibbs
Featured Photographer Revisited
On the physics of caustic light in water
The interaction of light and flowing water
Role of landscape photography in the art world
Does the popularity of landscape photography reduce its value as art?
Sandra Bartocha
Meeting of Minds Conference 2018
The Difference
Why Who You Are Matters In Photography
Viewpoint Editor’s Letter editor@onlandscape.co.uk
Tim Parkin

Everybody has expectations and when we go on our photography holidays, those expectations often get out of control. There are few things that challenge expectations as much as a winter holiday in the Highlands though. For instance, last year we had some of the most stunning Winter conditions in January. There was snow on the hills for the whole month and toward the end, it was like all your winter fantasies come true. However, I’m sitting here now looking out on what could well be an early spring day. Actually, there’s normally more snow than this on the hills even in late May. To arrive here for a week’s holiday based on last year’s expectations could be a serious letdown. And yet on two days in a row, I’ve had some of the best conditions I’ve seen in the area. The first was caused by a drop in temperature from 7 degrees to -3 in the space of a few hours overnight causing a stunning hoar frost and the second was an almost temperature inversion that gave incredible hanging mists. If you’d gone up to Rannoch Moor you’d have missed it all though and just spent the day hanging around in the low cloud. In other words, making the most of what you’ve got combined with a little bit of local knowledge can change disaster into opportunity. Don’t try to force your experiences to match your vision of what should have been.

On another note, Phil Malpas and Clive Mitchell are up in Glencoe doing a workshop and they demonstrated the benefit of scouting areas where possible by discovering that the lower Orchy River is now a desolate wasteland of deforestation and the old bridge over the river with classic views of the falls has been replaced by a high sided logging monstrosity blocking any views. If the day is a true write off, spend your time checking whether your ‘tick list’ is still what you think it is.

The weather has turned out nice again outside so I’ll be off to keep up with my restarted #365 project.

Click here to download issue 174 (high quality, 92Mb)

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Tim Parkin

Content Issue One Hundred and Seventy Four
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Issue 174 PDF

Click here to download issue 174 (high quality, 92Mb) Click here to download issue 174 (smaller download, 60Mb) more

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End frame: Lochan Na Staigne, Clach Leathad, Meall a Bhuiridh by Joe Cornish

This is a piece of art that opens up so many emotions. it uplifts whilst creating a sense of pathos, and is restful and energising at the same time as well as being dramatic and simple. more

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Subscribers 4×4 Portfolios

This issue our 4x4 landscape photography portfolio feature is from subscribers: Dan Montesi, Kerry Gordon, Lucy Littleton & David Fanning more

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Jon Gibbs

Tim spoke to Jon Gibbs for our Featured Photographer spot back in March 2013. Jon was the very first winner of Take A View’s UK Landscape Photographer of the Year competition in 2007 more

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On the physics of caustic light in water

I like to make images of water in its various forms, but particularly the interaction of light and flowing water in streams and rivers. The attraction in making many of these images is often the points and lines of concentrated light that make the surface sparkle more

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Role of landscape photography in the art world

Despite all the logical explanations for the absence of landscape photography in this particular location, my lingering disappointment made me ponder the role of landscape photography in art more

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Sandra Bartocha

Sandra was the 2nd speaker at this year's Meeting of Minds conference in Penrith. Sandra talked about the idea that photography is all about conveying the mood and sense of a place to an audience. more

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The Difference

People who see a photograph and later visit the place where the photograph was made, expecting to see this place as it appears in the photograph, and instead finding it different, may feel “cheated". more

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