Art, Photography and Competitions
Tim Parkin |
Can photography competitions truly elevate your art — or do they just turn creativity into a contest? more
Can photography competitions truly elevate your art — or do they just turn creativity into a contest? more
The RPS Landscape Group is set to launch its second Members’ Outdoor Exhibition, starting in May 2025 at the historic Southwark Cathedral in London. The exhibition will travel to over eight locations before concluding in Scotland in spring 2026, coinciding with the 10th anniversary of the Landscape Group, which now boasts nearly 1,200 members. The 30-metre outdoor display, accessible 24/7, will feature 80 striking images ranging from sweeping landscapes and seascapes to intimate urban abstracts. An online gallery of the exhibition more
Even if you’ve shifted your creative process and focus, your past work doesn’t have to be left behind. Sometimes, the old and the new can converge in surprising ways—and that’s a pretty exciting thought for any photographer. more
A’ Mhòine (The Moss) is a large area of blanket peat bog covering most of the Tongue peninsula on the north coast of the Scottish mainland. more
Click here to download issue 326 (high quality, 116Mb) Click here to download issue 326 (smaller download, 72Mb) more
Whilst Chris photographs in the landscape, and often his images include wildlife, “traditional” landscape and wildlife photography are genres that he doesn’t particularly warm to. more
Any Questions has been running for just over a year and we thought it would be nice just to have a casual chat between the hosts: myself, Joe Cornish and Mark Littlejohn. more
Visions of Paradise: American Wilderness" presents a collection of black-and-white photographs by Jon Ortner, offering a thoughtful exploration of America’s wild landscapes. more
It all began one misty morning nearly ten years ago, as I meandered on the still-wet sand of Nehalem Bay on the Oregon coast. It was low tide, and as the shroud of fog began to thin, it revealed a long array of brooding, sculptural forms deposited at the farthest edge of the water line. more
The CFV 100C has a unique solution when hitched to the included 907X camera body. The combination of this, the CFV 100C and the newer tiny (ish) ‘V’ and ‘P’ lenses makes for a very compact and incredibly portable system. more
After starting with film and moving to digital for its convenience, Przemyslaw has come full circle—now embracing both formats to harness the distinct mood, colour, and character each brings to an image. more
Click here to download issue 325 (high quality, 113Mb) Click here to download issue 325 (smaller download, 77Mb) more
The viewer’s eye is drawn to a solitary water lily in the lower right corner of the image. It is then guided horizontally toward the bright grass on the left and follows a gentle upward path toward the water lily leaves, which are thoughtfully distributed across the lower branch silhouette. more
Breaking waves are usually not that spectacular from straight up in my opinion. It is often worthwhile, though, when a wave engulfs a rock slab, which can look very graphic from the air. more
Torsten Pull’s work is a reflection of his journey—one that intertwines methodical planning with the spontaneity of light, solitude with exploration, and a return to the natural world that once defined his childhood. more
After reading the poem in more depth, I revisited places mentioned in the text to try and understand what Steve was writing about, but also to try and understand what I felt about the places with this new narrative to work with. more
on Moving Back to Analog
Thank You for Your interest in my article. I agree with You that my photography isn't 100% analog process. However, in my opinion there is a lot of sense in doing it like I do. Even after scanning I can see a difference between a film and a digital photo. It [...]
- Przemyslaw Ziemacki, 09:48 yesterday
on A New Found Love of the Landscape
Cheers Len. That was such a lovely few days. Highlight for me was taking you and Tim out on the steamer on a glorious Autumnal afternoon.
- Mark Littlejohn, 10:16 8th Mayon A Year of Any Questions
Oh please don't become Whiskies n' Views! The beers version of this theme is unwatchably rambling and banal. The idea about discussing specific influential images is interesting but doing it without showing the photos in question is less effective. While having new guests is in general a good thing, few [...]
- Guy Washburn, 10:53 1st May