on landscape The online magazine for landscape photographers

End frame: South Stack Lighthouse, Holy Island, Anglesey 1978, Denis Thorpe

Kevin Bonnett chooses one of his favourite images

Kevin Bonnett

Kevin Bonnett

Kevin Bonnett lives in Sheffield but aims to be a camera-toting hobo in his camper van. Being a retired social scientist means he is drawn to mainstream humanistic and modernist traditions in photography, but he’s also afflicted with that nagging desire for self-expression and that itch to create images with ambiguity and intrigue. Just sometimes, he manages to scratch that itch successfully.

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Still photographing in his late eighties from his home in Stockport, England, Denis Thorpe’s landscape images demonstrate the power that derives from locating them within the context of a broad range of other photographic genres.

In a sense, Thorpe had no choice as an all-round photojournalist employed for decades in Manchester by the Guardian newspaper, but from the beginning, he combined a modernist aesthetic from the likes of Bill Brandt with the humanist engagement of Cartier-Bresson or Picture Post’s Bert Hardy.



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