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Solo Exhibition
Ellie has been working in UK forests for the past ten years, making work which explores the complex interrelationship between the landscape and the individual. more
The Hydrocarbon Forest
In the case of the Allegheny, private access to mineral rights covers 93 percent of the forest area. The impact has been profound. Maps from the 1930s show a dense grid of oil wells stretching for many miles. more
Back to the Future
The more I looked into dry plate, the more appealing it became. Load under safelight, no need for complete darkness, last like film so you can leave them for weeks in the darkslides before use, develop by inspection under safelight....what's not to like? more
End frame: Black Lightning by Peter Jarver
I’d never seen storm images like that before, and I wanted to learn how. It took years of time, many disappointments, a few cameras, and a lot of getting wet, to develop an approach that works most of the time. more
History of Art and Landscape – Part One
One of the key aspects of landscape photography has got to be composition. Given our subject matter rarely has a strong internal narrative and the subject rarely has intrinsic emotional value, our arrangement of content within the frame and its emphasis, lighting, etc. are the main thing we have to work with. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Charles Nyst, Graeme Fielden, John Richardson & Judith Kelly. more
Tulips from Holland
Flowerbulbs (tulips, narcissus, etc) have been grown in Holland since 1590. Demand for these living colours increased so much around 1634 that bulbs were sold and resold while still in the ground. more
Landscapes of Rochdale
Obviously due to the coronavirus lockdown, these trips are not possible so I am limited to a 1 hour roundtrip walk from my home. more
The Curve
The theme of this set of images is the curve. They all have a curved line leading the eye through the scene. All of these locations are in Assynt & Coigach and are areas I have revisited many times over recent years. more
A Sense of Loss
This 4x4 portfolio was triggered by a recent On Landscape podcast discussion in which David Ward stated that Iceland was his choice for ‘currently-free from tourists’ location images and that he and Joe made their first visits there in 1999. more
Portrait of a Photographer – Cecil Whitt
Cecil and his work exemplify the mysteries of the desert Southwest and conjure up a wide variety of emotions and ideas including solitude, surprise, serenity, rugged individualism, grit, determination, exploration, and optimism. more
Shoreline
Whether I am photographing at sea or onshore I am always looking for compositions which are defined by unique and often elusive combinations of light, tide, atmosphere and transient weather conditions. more
On Staying Inspired
Even in my darkest and most anxious times, whether prompted by world events or by abnormal brain activity. I go out, even if it takes some effort, and I make whatever I’m experiencing. more
Jack Lowe
Jack embarked on a new adventure, and project called The Lifeboat Station Project. What started as an ambition to photograph the view from each lifeboat station around the UK’s coastline became a homage to the volunteers of The Royal National Lifeboat Institution (RNLI). more
The Sublimity of Toxic Beauty
As I then read up about the Terminal Mirage 2, 2003, I discovered that I was looking at an aerial photograph of Utah’s Great Salt Lake. more