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End Frame – Near Stonehenge by Charlie Waite
Is this my all time favourite image? No. A single image can never be ‘the best’ because every image we like offers us a variety of different emotions and visual delight. more
End Frame – Mist on the North-East Ridge by Peter Dombrovskis
When Tim asked me if I would do an “End Frame” I didn’t realise quite how difficult it would be identifying which particular photograph I wanted to discuss. There are many photographers whose portfolios I admire and there are many more photographs within those collections which I could loosely describe as favourites .... so which one should I choose? I turned to my collection of photography books and began studying several familiar photographs. After a while I started to ask myself more
End Frame – Early Morning, Merced River by Ansel Adams
When asked if I'd be interested in writing an End Frame article, two favourite landscape images immediately came to mind. Of the two, one I've only become aware of relatively recently (although the image itself is much older), but the other I've known for what must be around twenty years now (although again the image is much older), so I decided it really had to be this image that I write about. So, in the genre of landscape photography, Ansel more
End Frame – Dancing Horses by Chris Tancock
I like the way Chris has worked on this project. Allowing us to be an audience to an unfolding drama. more
End Frame – Reflection, Orsjon by Jan Tove
I must admit to a bit of guilt after seeing the responses of Julian Barkway and Joe Wright to my proposed End Frame request. more
End Frame – Porch, Provincetown, 1977 by Joel Meyerowitz
When I was asked to contribute to ‘End Frame’ I readily accepted, thinking what could be easier than writing about a favourite photograph? Then I started to think about which photographer to pick, and exactly which image, and the problems suddenly seemed to multiply. Who do I consider my favourite photographers? How can I possibly pick a favourite image from so many? I can easily reel off the names of a good couple of dozen photographers whose imagery I more
Endframe
I must say, sitting at my desk at work completely absorbed in some unmemorable task, it was a welcome diversion to hear my mobile go ping and then see a message from Tim pop up on the screen. With the message saying ‘favourite image’, my concentration was immediately broken and interest piqued sufficiently to want to see what little morsel of information he was about to divulge. On this occasion though, not information about a great little book he more