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Issue 132 PDF
Discussion of the Sublime usually drifts through what the concept actually means - literally a fascination with something that makes you fear, not just for your life, but also for your soul. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Antonio Correia, David Ball, David Fearn & Peter Russell. more
THAW
We interviewed Timo for our Featured Photographer spot back in May 2014. He’s currently in the final stages of preparing a new exhibition of images of the melting polar ice cap which opens in London next week. more
Photography on the Trail
By its very nature, landscape photography requires the photographer to be outdoors. But what happens when you extend that time in the wild to days or weeks? How does that change your approach to photography more
Roger Voller
For a few, photography may be about gear and technique; for many, it is an escape from day to day responsibility and the experience is as important as the resultant images; but increasingly its importance is as an outlet for our frustrated creativity. more
First Light Inspired Exhibition Launch 4th March
In Issue 130 we announced the launch of our next exhibition at the Joe Cornish Gallery. Working with Adam and Jo from the gallery, we wanted our second exhibition at the gallery to show what an influence Joe Cornish has been on landscape photography in the UK. Going back through our featured photographers and other interviews (and talks at the conference), the common theme with a lot of photographers was who they drew inspiration from when they were defining their more
Photography and The Wonder of Life
By asking photographers why they photograph I learned that many are unable to clearly articulate their reasons; and among those who do cite such reasons, I am often intrigued by the diversity of answers. more
Why I love my iPhone for landscape photography
I think that the French painter and sculptor Jean Dubuffet (1901-1985) would approve of the iPhone in the making of art. Dubuffet eschewed traditional aesthetics in favour of what eventually became known as art brut, or outsider art. more