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Luke Tscharke – Portrait of a Photographer
Having never been to Australia myself, I found myself really intrigued by the variety of scenes, compositions, and climates that Luke has been able to photograph there. more
Issue 239 PDF
Click here to download issue 239 (high quality, 170Mb) Click here to download issue 239 (smaller download, 105Mb) more
End frame: Broichbachtal 41 by Manfred Geyer
‘Your own photos are never enough.’ Robert Adams’ observation (from his book Why People Photograph) has adorned my profile page on Flickr since I joined in 2006. more
Water and Fire
At grassroots level, as well as governmental. As photographers, we can share our ideas, our images, our concern and our determination. more
Rush Oak Field Camera
The scent of blossom drifted through the iron gate. No one stirred in the twilight forest but between shadowed boughs shone the heady colours of the painted bushes. more
Benches in the Landscape
The common denominator is that they are there to serve a general purpose. They’ve been put in that particular place to provide somewhere for us to sit, for us to take in the view. more
Gheorghe Popa
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
One Hand Snapping
My photography has changed. Having been forced to work more slowly, I am more used to a slower, more considered approach to my image-making. more
Issue 238 PDF
Click here to download issue 238 (high quality, 110Mb) Click here to download issue 238 (smaller download, 54Mb) more
End frame: Twin Oaks 1956, Wynn Bullock
The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Christophe Wilmotte, Peter Dyer, Sandra Roberts Sara Harley more
The Experience is All
I have found that in order to make my most meaningful and expressive photographs I had to learn to put photography out of my mind—to not allow it any attention at all until called upon by some aspect of a meaningful experience to make a photograph. more
Nobody Expects the Inquisition!
One of my overarching motivations for photographing is to explore the gap between how the combination of my mind and eye apprehend reality and how a camera and lens render that. more
Ângelo Jesus
I consider myself mostly a reactive and instinctive photographer and as I said before, I always like the idea of waiting for nature to speak to me and show me the way. I think the key is full observation, patience and persistence. more
Jerry Greer – Portrait of a Photographer
Jerry’s new project, “Dust to Dust” focuses on the impacts on both the natural environment of the region as well as the impacts to the built environment and the various intersections of each. more