Join the conversation
Subcribe to comment rss feed
Issue 330
Click here to download issue 330 (high quality, 127Mb) Click here to download issue 330 (smaller download, 75Mb) more
End frame: No Lilac Time by Kjetil Karlsen
What stands out in No Lilac Time—and in much of Karlsen’s work—is the interplay between sharp and blurred elements. Only the fence in the foreground is in focus; everything else is softened by swirling snow. more
Max A Rush
This year, after Max won International Garden Photographer of the Year, it felt like a good time to check in again—to see how his work has progressed and hear about his latest project: building another 5x4 camera. more
4×4 Landscape Portfolios
Estelle Slegers Helsen, Dominique Philippe Bonnet, David Buchanan & Ashok Viswanathan more
After The Tide
At 354 km, the River Severn is Britain's longest river, winding its serpentine route from the hills of Plymlimon in Wales to the Bristol Channel, gathering countless tributaries along the way. more
Any Questions, with special guest Damian Shields
In this episode, Damian Shields shares his journey as a photographer, exploring the deep connections between his artistic influences, personal experiences, and the landscapes of Scotland more
Blåtone
Diptych as an art form traces back to antiquity. Art a thousand years ago was something different from today and served another function. more
A Year at Duncansby, 2022
Looking forward, I questioned what the solution was. I’ve never been a planner, so even that question put me in uncharted territory. I’ve never thought about doing a project, but that quickly sprang to mind, but what? more
Issue 329
Click here to download issue 329 (high quality, 112Mb) Click here to download issue 329 (smaller download, 64Mb) more
End frame: Wild Dusk Watchers by Dan Harnett
What strikes me immediately is how these ordinary natural elements have been transformed into something extraordinary and evocative, and finally into a piece of art. more
William Nourse – Portrait of a Photographer
In the fjords of Chile, somewhere between Ushuaia and Puntas Arenas, I watched William Nourse lean over the edge of our sailboat, not to capture the looming cliffs or moody skies like the rest of us, but to photograph chunks of ice slicing across the Starboard of our boat: small, graphic details most of us ignored without a second glance. Later, when I saw the image, it felt more
Daragh Muldowney
Although he stumbled into photography through a love of outdoor activities, the two feed and reinvigorate each other. He has a particular passion for working in projects, often contemplating cold places and in so doing, their fragility. more
Should landscape photography always please us?
I discovered that I am often more fascinated by pictures that I don’t immediately recognize or understand—no ‘celebration of recognition’. Or I wonder why the photographer made this picture, and I am caught by the question, ‘What is it?’ more
Les Bisses du Valais
God the Father, on a visit to the Valais in the company of St. Peter, offered the Valaisans who complained about the retreat of the glaciers and the aridity of their climate, to take care of the problem of water if they wished. St. Peter saw that the locals were hesitating, and encouraged them to accept the offer, telling them that God himself was a Valaisan. Was it this remark that got them thinking? In any case, they declined more
The moment I said it
Despite the struggle for recognition, this should not discourage your desire to create. For the joy you experience through artistic creation is what truly matters, regardless of the judgment of others. more