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Living a Visual Life
I approach things mostly by intuition, but when I feel that a photographic opportunity may be present, or when I feel a desire to make a photograph, I slow down and consider consciously what possibilities and visual components are available to me, and may come up with ideas that were not originally obvious. more
Issue 202 PDF
Click here to download issue 202 (high quality, 79Mb) Click here to download issue 202 (smaller download, 53Mb) more
End frame: Glowing Autumn Forest, Virginia by Christopher Burkett
Amongst my more contemporary influences is the photography of Shinzo Maeda and Christopher Burkett; it is Christopher’s image titled ‘Glowing Autumn Forest, Virginia’ that is my chosen end frame. more
Photography for Local Campaigning
Last year we had a spate of planning applications in the Glen Etive/Rannoch Moor area. Firstly the King’s House hotel was sold to the Black Corrie’s Estate and, with a lease to Crieff Hydro negotiated, a rebuild of the newer part of the King's House was proposed. The design was disliked by most more
Compare and Contrast
I guess this analytical approach stuck because as I look at these two photographs by Finn Hopson, I can’t help but react in exactly the same way. They both have the same subject – woodland scenes with mist and fog. They are structured very similarly – strong verticals bisected by flowing horizontals. But their mood is completely different. more
Jean Discours
As the mists rise in Jean Discours’ photos, you can almost sense the earth breathe, the respiration of the trees made visible. We asked Jean tell us more about the landscapes of L’Aubrac in south-central France, and his explorations with a camera. more
Passing Through – Mark Banks
In this podcast, Mark talks about how and why he transitioned from large format, the challenges, and why he enjoys printing workshops. more
The Meaning of a Life
But what role does photography play in this life, and why is it so important, not just to me, but to millions of others around the world as well? Have we lost sight of this meaning, and can we get it back? more
Mud & Sand
This project began several years ago when I first noticed the notation ‘Mud & Sand’ on an OS map of the Bristol Channel. I couldn’t work out why these beaches should be so muddy and I was curious to find out what they looked like. more
Issue 201 PDF
Click here to download issue 201 (high quality, 166Mb) Click here to download issue 201 (smaller download, 135Mb) more
End frame: Plate 29, Series called ‘Door suite’ by Ray K. Metzker
Metzker always titled and grouped his images based on their location or technique. He rarely gave individual images a descriptive title. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Cendrine Marrouat, Guy Washburn, Larry Mendenhall & Peter Richter more
Stu Levy
Stu is well known and highly accomplished, respected and published photographer based in Oregon in the US. We got in touch with Stu to find out more about his photography and his time as an assistant instructor with Ansel Adams. more
Geographic Landscapes
Undoubtedly, landscape photography would appear to have earth description as its very foundation. more
Meeting of Minds Conference Update
It is a month since we launched tickets for the 2020 Meeting of Minds Conference and we have sold more tickets so far than we had in total for our first conference back in 2014! more