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Antonio Aleo
This issue we're talking to Antonio Aleo, an excellent photographer from Italy who specialises in his local area of Calabria. Most of the images included are from his work in the local forests in Calabria. more
The Label
A single word, a label, can narrowly define the whole life of an artist, directing not only the audience into a single way of understanding and experiencing his or her work, but also shaping the artist himself. more
On Bredon Hill
Bredon Hill is a gentle dome rising to just shy of 1,000 feet at an iron age hill fort on its northwestern ‘corner’ overlooking the more or less flat River Avon and River Severn valleys more
The Northern Photography and Video Show 2018
Now in year three, we've tweaked the name to 'The Northern Photography & Video Show', reflecting the growing regional audience and acknowledging a widening interest in video as lines between photographers and videographers continues to blur. more
The Anatomy of Grey
A lot of today’s black and white images seem to be missing some of the subtle mid greys that I love so much. more
Luinneagan
I knew the haiku would be the route back to the poetry of the landscape. Being a Gaelic speaker I decided to write them in that language to accompany my photographs and the ‘Gaiku’ was born. more
Space Not Things
The key point for me is that I am seeing, in the context of ‘photograph’, with all of my assumptions and biases. The concepts I bring to viewing a photograph are cultural, learned. more
Issue 158 PDF
In this issue, Guy Tal tackles one of the most contentious themes in photography, the truth of the image. more
End Frame: Convergence, Iceland by Rafael Rojas
There is just enough space between the receding wave which mirrors the cliff exactly and the cliff to draw you through to explore the rest of the picture but always pulls you back to that point to start again..... Genius. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Gerald Rowles, Goran Prvulovic, Kathleen Holman & Xavier Arnau Bofarull. more
Kevin Marston
I wanted to connect with the landscape or whatever was in front of me in more of a raw emotional way, and that seemed to lead me into more abstract areas. more
An insight into handbound books
Handbound artist books now represent most of my photographic output. I think I am confident their legacy will be longer for my heirs than any of my stored boxes of prints. more
Morality and Realism in Photography
To a photographic artist, the insistence on dogmatic adherence to the tenets of photojournalism is especially confounding. There is no reason to judge a photograph not intended to serve an evidentiary purpose based on the very thing it is not meant to be. more
Why I am a Tourist
I am currently doing research into why photographers (and other tourists) find human constructions to be attractive focal points in remote and otherwise “natural” environments. In particular derelict structures appear to be favoured. more
Romania Project Diary
When I discovered that I’d been awarded the Royal Photographic Society Environmental Bursary to create a new series – a series that I’d been wanting to create for some time more