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New Beginnings
In April 2021 they asked six talented photographers to make some images around the theme of “New Beginnings” and the real prospect of the COVID-19 pandemic being on the decline. more
West of the Sun
Back in January one of our readers, Anna McNay, got in touch to see if we'd be interested in an interview with Toby Deveson. He uses his old Nikkormat and the same 24mm lens that he ‘borrowed’ from your father more than 20 years ago. He finalises each frame in-camera and doesn't crop images in the darkroom. I more
The Plain
Through my work as a photographer, I have also spent time in different kinds of landscapes; landscapes which are embedded with the aftermath and traces of war (as in Kosovo), or which are marked out as land under military occupation (as in The Plain). more
Mystical
A mossy labyrinth of gnarled roots and twisted branches, it instantly felt like I was on the film set of Star Wars in the Dagobah woodland which was inhabited by Yoda. more
Interview with Judy Sharrock
Come lockdown, I saw that Alex Hare and Lizzy Shepherd were running some online bookmaking workshops. So, I signed up for that which was really helpful and got me going. more
Echoes of the Great War
In April 2016, Peter's exhibition "Echos of the Great War " opened at Weston Park in Sheffield and marked 100 years since the Battle of the Somme. Peter’s Great Uncle William Wyatt Bagshawe fought and died in the Somme and through retracing the footsteps of his great uncle, he took black and white photographs as the land as it is now. Suggesting the terrain of the frontline through details and abstractions. more
Stay longer, look closer, dig deeper
I've followed Eliot's work since Steve Coleman interviewed him back in 2015. Eliot's work has been prolific since then, working on different collaborations and projects, whilst exploring different mediums for expressing his work; from handmade books, printed books, and his most challenging project "Country Made of Dirt". more
Walking through the Ampezzo Dolomites
I was clear on what story I wanted to tell and I was clear on how I should do it. I worked with “tilt&shift” architectural lenses; for me, these were no longer mountains, but sculptures more
Hal Gage
Being an artist has meant not steering my creativity to push an agenda. I think Ansel Adams had his internal turmoil about keeping his motives pure: even after becoming a de facto spokesman for the Sierra Club where he lobbied Congress on environmental matters more
Niall Benvie’s Retrospective
Style is something endemic rather than acquired or cultivated. It emerges once you’ve worked through all the external influences that inform your work as you’re making your way. more
Tides and Tempests
I don’t think Tides and Tempests would be happening this year if it weren’t for lockdown and a broken shoulder, both of which kept me at home and gave me time to concentrate on the book. more
Norðurland Exhibition
Andrew Bulloch - you won the Youth Category of the Landscape Photographer of the Year in 2017. Could you tell me a little bit about how you got into photography and how you ended up entering and winning the category more
A Last Interview with Richard White
The interview below is the final transcription of that dialogue with Richard. It's taken us a few months to be able to process this interview, as we recognise what it represents. more
Lost and Found, an interview with Kimberly Schneider
We got an email from Kimberly at the beginning of June to say she’d set up her darkroom again and started experiment with photograms. more
Living a Visual Life
I approach things mostly by intuition, but when I feel that a photographic opportunity may be present, or when I feel a desire to make a photograph, I slow down and consider consciously what possibilities and visual components are available to me, and may come up with ideas that were not originally obvious. more