We interviewed Marc Wilson at the Royal Armouries way back in 2013 when he was out promoting his Last Stand book on the relics of wars. He's currently promoting a Kickstarter campaign to help in the publication a new and predominantly landscape project about the relics of our industrial past. We asked him a few questions about the project. Can you give us a short summary of how you found yourself on the verge of going to print with more
Click here to download issue 332 (high quality, 114Mb) Click here to download issue 332 (smaller download, 69Mb) more
I have circled back to Marianthi’s work regularly over the last decade or so, not in the sense of moving backwards to something in the past, but each time I visit her new work or revisit pieces I am already familiar with, I feel a new sense of discovery, as if I am uncovering an aspect of myself previously unknown to me. more
In this episode, James McGurk of the Scottish National Trust is our special guest and we discuss the complex relationship between photography and environmental conservation. more
All in preparation for writing a few words for your perusal. But on opening Microsoft word its informed me that if I press “+L” Copilot will write my blurb with me. Or maybe it will write it for me. I’ve no idea. more
Photography offers Tara a space where she doesn’t have to follow the rules, in contrast to her profession as a family physician. more
We celebrate the artworks and the artist, but we rarely celebrate his choices. These can lead us to devote time and tranquillity to art making, or not. more
Öland is a place for slow photography, almost meditative photography; it’s about space and time. It is here that I live my photography. more
Click here to download issue 331 (high quality, 127Mb) Click here to download issue 331 (smaller download, 83Mb) more
There is something immediately appealing about Eugène Atget’s 1912 albumen silver print L’Éclipse—a sense of spontaneity, playfulness, and ease with which the Parisian photographer pulls us right into the center of the crowd that gathered on Place de la Bastille to observe a solar eclipse. more
The most exciting and most exotic destination for me was Albania. Although this country has been gaining increasing attention in recent years—primarily because of its beautiful beaches and low prices—it remains quite an unspoiled land, with few landscape photographers appearing to have an interest in it. more
Since 2018, Guy's distinctive work has continued to mature and expand, embracing monochrome, and pushing to continually evolve series which mix photography, digital layering and collage. more
On the trail, every day is stripped to its essentials: walk, eat, sleep, repeat. The distractions are gone. You begin to notice things - really notice them. more
With a 4x5 camera in hand, searching for the concepts of mood and lighting, Claude has spent 20 years making trips to the Gwazhal. more
The sea and waves were invisible in the darkness. We stood at the water’s edge, almost devoutly listening to the roar of the surf, feeling the wind and smelling the salty air. more
Click here to download issue 330 (high quality, 127Mb) Click here to download issue 330 (smaller download, 75Mb) more
on Slow photography on Öland
Lovely pics! And from area of Sweden not often represented in landscape photography.
- Theodor Paues, 08:38 todayon Slow photography on Öland
I enjoyed my first visit to Öland so much during a 2019 Swedish road trip, that we went back again a couple of weeks later. We were lucky enough to catch an exhibition by Andreas and have a brief chat with him on the second visit. I have been wanting to [...]
- Mairi Macaulay, 14:58 yesterday
on Past Masters: Nicolas Poussin
Another really nice article, Francesco, providing plenty of food for thought. "The aim of painting is not to reproduce nature..." and "The creator's thought cannot be separated from the forms he creates...." but in this respect as landscape photographers we have a bit of a problem because [...]
- Keith Beven, 06:23 29th Jul