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End frame: Tree trunk with snow falling, The Code for Flowers. The Last Star to Shine. by Al Brydon
To me, the dots, the snow, and the galaxy of stars work so well because they create a veil across the image, adding mystery and intrigue to the forest in the background. The trees appear in a mist, their delicate branches adding refinement and detail. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Joseph Heathcott, Ken Fallu, Peter Delaney & Rob Sykes. more
Straddie Milky Way
Straddie (North Stradbroke Island, Queensland) is my go-to place. I have walked countless kilometres here and enjoyed every step. more
They called it the Tree of Life
Long before roads and maps, the San people knew the quiver tree - choje - as both companion and resource. Its hollow branches carried arrows, its bark held moisture, its shade gave respite. more
The Luminous Stillness of Québec’s Winter
the Québec Province, winter is not merely a season but a constant presence for many months, white and uncompromising, where the northeast wind sweeps across frozen fields and dense spruce forests. more
Hilary Bralove – Portrait of a Photographer
Based in northern Colorado after trading Washington D.C. for the American West decades ago, she has built a body of work that spans badlands and coastal cliffs, alpine meadows and desert night skies, migrating birds and nesting owls. more
Ian Gaston
I live in a rural area far enough away from the hustle and bustle of the rest of the Bay Area. On darker summer nights, I can look up at the sky and still see the galactic core of our Milky Way. more
Poetic Expressions
Personal Photography as a practice is very much like growing and tending a garden. I cannot assume nature and the landscape are an infinite exploitable resource more
Edgelands
We should look, he said, to the open spaces close to heather or other cover, where they might venture out to clear ground to bask in the sun. “The edge is often where the action is,” he told me sagely. more
End Frame: Climbers descending the Hoffman Route, Gross Glockner, 1893 by Vittorio Sella
Sella’s is often described as the mountaineer’s photographer. Many climbers have referred to Sella’s work in assisting them in planning how to approach a mountain, as the detail in his photographs is clear and informative. more
Kirsi Koivisto
I am fascinated by subtle details, delicate light, and the intimate atmosphere of a place, seeking to convey the feeling of being fully present in the landscape rather than focusing on grandeur or spectacle. more
Any Questions, with special guest Ted Leeming
In this conversation, Tim Parkin and Joe Cornish talk to photographer Ted Leeming, exploring his journey from the Zero Footprint project to redefining his practice as a place-based photographer. more
Our Place in Time
I increasingly see myself as a place-based observer, asking questions through the lens as my chosen medium for conversing. In this context, images also express my wider interests in geography, plac more
365 / February 2026
February’s 365 challenge has sometimes needed a bit more effort to get out and about. The weather hasn’t been as ‘interesting’ for most of the month and it was very tempting just to stay inside. more
The Pitfalls of Hero Worship
Critical in my growth as a photographer and artist has been educating myself on the work and philosophies of the giants on whose shoulders we stand. more