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Interview with Greg Stewart of Kozu Books
We work very closely with the photographers in order to create a photo book that totally reflects their identity, this is crucial to the finished book and its success. more
End frame: Tree Vision by Sandra Bartocha
I can remember this image stopped me in my tracks. It is taken from a series produced by Sandra and is also an image that is evidently an abstraction from reality. more
An exploration of Brian Eno’s ‘Ambient 4 : On Land’
The album includes tracks titled, ‘Lizard Point’, ‘Lantern Marsh’ and ‘Dunwich Beach, Autumn 1960’. My interest was piqued. Where were these places, and what did they have to do with the music? more
End frame: Torridonian Sandstone by Alex Nail
For me, it represents the darker and more foreboding side of Scotland and perhaps one which I should embrace more when I encounter it, rather than just purely seeking those wow moment – just one reason I have moved up here. more
Wiltshire
My latest project ‘Wiltshire,’ is fundamentally about the heritage in our landscape. Kept, lost or rediscovered, our landscape is brought into question more than ever before. more
Luminosity and Contrast by Alister Benn
Someone once said to me “Writing about composition is a bit like dancing about architecture”. A large amount what we tend to do is instinctive, both during capture and in post-processing, and it’s very hard to put these things into words. more
Tina Freeman’s “Lamentations”
The project Lamentations is a series of diptychs that function as stories about climate change, ecological balance, and the connectedness of things across time and space. more
End frame: Altitude 2 by Hengki Koentjoro
Hengki Koentjoro’s work demonstrates how black and white photography can be so much more than these two colours. His work encompasses the many shades of grey in between. more
Mood, Emotion and Photographic Meanings
It is not always easy to express oneself or understand one's mood and meaning, but those who undertake photography as a means of expression have embarked on the most beautiful journey of their life. more
End frame: Glowing Aspens, Castle Creek Valley, Colorado by John Sexton
From the earliest days of my journey in landscape photography, John Sexton has been an inspiration. As one of Ansel Adams’ former assistants, his dedication to producing fine art, black & white imagery using traditional materials is legendary. more
End frame: Flowers for Miles by Erin Babnik
I started photography a few years ago and have been following a select few photographers over this time who have always given me inspiration to me. I follow them purely because of their love and passion and skill in photography. more
End frame: Snowbird – Ritual Hieroglyph, Stanton Moor, 1977 by Thomas Joshua Cooper
The story starts with the ritualistic landscape itself, genuinely ritualistic, on the plateau of the moor and within half a mile of TJC’s image is the Nine Ladies stone circle, a monument 3,000 to 4,000 years old and itself surrounded by over 70 burial barrows and stone cairns. more
Outer Hebrides
When Mother Nature is at her worst, the Outer Hebrides have that “edge of the world” feel, where a dramatic but unprotected coastline meets the full force of the Atlantic. more
End frame: Spirit of the mountains
When you find yourself staring at a small fraction of the mountain world – such as the rocks’ hues spice with touches of early snow’s traces - enough to become a very small particle of that world then you might experience the pure beauty. more
The Dunes at Oceano
The area has an interesting history and has been the subject of some classic photographs, most notably by Edward Weston, his son Brett Weston and Ansel Adams more