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End frame: Untitled 2008/09 by Bill Henson

The eye searching for detail wants to automatically aim straight for the lovely rich cloud on the left but as soon as it does you want to explore further. more

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Being There

Put another way, it's the journey that counts, not the destination. Personally, I think that applies to photography too. more

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End frame: ‘Shadows on the wall, Firostephani’ by Clive Minnitt

The angle used perfectly displays the design of the composition - the ever important gap between the terracotta vessel and the edge of the staircase. more

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Changing Perceptions in Landscape Photography

If the message is meant to raise awareness or be a call to action, then the photographer is best served by also adopting behaviours and strategies that support the veracity of their narratives. more

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Faroese Visions

The Faroe Islands in May 2018 ~ a selection of their "favourite four" as chosen by each of them, illustrating the variety of styles in their group, as well as the different subjects and locations that caught their attention. more

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End frame: East Branch, Middle Brook, Somerset County, New Jersey by William Neill

There is the calm of autumn emphasised by the lack of movement in the water and in the trees, creating perfect reflections. It is quite meditative. more

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End frame: Sea Mist, Iceland by Tim Rudman

Many excellent photographers have developed compelling bodies of work with Iceland as the sources of their inspiration. But the work I keep returning to is that of the master monochrome printer, Tim Rudman. more

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Beauty out of the fragments of life

Can I become emotionally entangled with the urban or semi-urban space around me, and make inspiring photographs out of this experience? more

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Orkney and the Simmer Dim

It is as if during the day the sea absorbs and stores sunlight, then during the twilight hours it gifts it back to the sky with a luminescence and inner radiance more

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End frame: Cedars and rock circle, Merced River, Yosemite National Park, California, 1986 by William Neill

It hints at something out of the natural order. Peaceful but somehow slightly unsettling. There are many of the usual components of a landscape photograph, trees and rocks and water but no foliage. more

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Tales of Abruzzo

I started photographing years ago, as it was just a passion that would allow me to bring home memories of what I was living. more

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End frame: Boreray, St Kilda by Scott Robertson

I have never been to the St Kilda archipelago, but thanks to Scott's enormous efforts I feel like I have. more

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Reflective photography and the essence of place

The idea that things and places have an essence is an ancient one, dating back at least to the Greeks and Romans. more

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End frame: The Arctic National Wildlife Refuge, Alaska (2009) ~ Sebastiao Salgado

You can feel the depth and breadth of the valley, its old age as if it were from time immemorial as if we were looking at the moment of the birth of our planet. more

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From Realism to Abstraction

Once we’ve got to grips with some techniques we might start to look for own individual style. Many photographers are content to hone their skills and search for the elusive moments of light and conditions that will produce a new interpretation of a classic location. more

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