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Celebrating Wilderness Photographer Philip Hyde
Although the photographic world has changed dramatically since Phil was pioneering conservation photography, the great need for vigilance, activism and the sharing of our photographs to inspire others has not. more
Phases
Continual growth and development as a product of the evolution of vision is a constant among all serious photographers and artists in general. However, there is a difference between evolution of vision and “finding” one’s vision. more
End frame: Fluitenkruid – Nel Talen
I first encountered Nel’s work through the International Garden Photographer of the Year competition. She was a finalist in the creative category with a very delicate, ethereal composition that immediately resonated with me. more
Norðurland Exhibition
Andrew Bulloch - you won the Youth Category of the Landscape Photographer of the Year in 2017. Could you tell me a little bit about how you got into photography and how you ended up entering and winning the category more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Andrew Simpson, João Quintela, Oleg Ershov & Xavier Arnau Bofarull more
Keiss
Keiss Castle is perched precariously on eroding cliffs just outside the village of Keiss, it is a popular subject and living locally if I just want to go out for a few hours or less it's my goto place. more
Ribeira da Palha
Ribeira da Palha (Straw stream) is a small lagoon just a few miles west from Pateira de Fermentelos, which is the largest natural lagoon in the Iberian Peninsula. more
Three Days in Stokksnes
Stokksnes peninsula with Vestrahorn mountains is my favourite photo location in Iceland, probably because my first work noted at the international photo contest in 2013 made here. more
Winter Trees
I found a book that seemed appropriate: Winter Trees, of Sylvia Plath. As I read the first stanza of the poem Winter Trees, suddenly, I saw the portfolio. more
On Photographic Technology
No matter how conservative or traditional we are, or wish to be, in our work, I believe that a proactive and rational approach to assimilating (or rejecting) new technologies is a better strategy than to be in denial of them. more
Portrait of a Photographer – Anna Morgan
I get the sense that the subject is much deeper than a collection of simple objects in nature, rather, each image asks the viewer to reflect deeper within oneself to find something more. more
Jane Fulton Alt
Much of Jane’s work evolves around cycles of life; whether we recognise it or not photography is both a response and an antidote for us all to personal circumstances as well as those that impinge upon our existence. more
Using Dark Tones to Create Drama and Tension
Dark images can elicit a vicarious emotional response, heightening our senses and engaging us to imagine tension, isolation or a sense of danger. more
A Cairngorms Learning Curve
I wanted to head deep into the Cairngorms to one of the places I’d longed to photograph in winter for many years; the Loch A’an Basin. more
Winter Trees
Cottonwood trees grow there and show lovely, soft spring green leaves as the season begins, and develop a deep rich green that contrasts with the dark red sandstone walls. more