


Carrara
The quarries have left a profound impression on me. They undoubtedly reinforce many questions on a wide range of issues including beauty, greed, consumerism, society, environment and personal responsibility. more

Landscape and the Picturesque
It’s interesting to analyse the mood that pictures create, the feelings they inspire, and to link that back to the decisions the photographer must have made at the moment of making the image. more

Norway Trip Report
During our last Meeting of Minds conference, one of our regular visitors, Trym Ivar Bergsmo, said to us “Would you like to come and stay with us in Norway sometime and allow me to show you around?” As both Charlotte and I are more of the cold climes holidaymakers rather than the beach and cocktails sort, this caught our interest immediately but in the frantic conference conditions, it slipped our minds. We checked that Trym was still amenable more

End frame: Zbyszko Siemaszko – Untitled (sygn. nr. 51-687-30)
We’re faced with a street well populated by people and vehicles, soaked in the pouring rain. Moreover, taken in a black and white which betrays the photograph’s analogue origins and its age. more

Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature are from subscribers: Chris Cullen, James Popp, Paul Hetzel & Sérgio Conceição more

Intimate Suffolk Landscapes
These photographs represent an attempt to switch away from my ‘go to’ mode of photography (coastal landscapes, usually wide angle / tilt-shift) to more challenging monochrome work in more complex inland environments, using longer focal lengths. more

Kettle Moraine State Forest Conifers
I have been photographing in the Northern Kettle Moraine State Forest in Wisconsin for a number of years. One feature of the forest is a number of planted conifer woods that were put in as part of reforestation in the last century. more

Similar Shapes
Nature blesses us with a diverse assortment of photographic possibilities. Sometimes, the effects of wind and water on totally different landforms create landscapes looking remarkably similar. I was struck with this paradox while reviewing images taken of wheat fields in the Palouse located in Eastern Washington state and the dunes and eroded soil found in Death Valley. more

Memories of Portugal
The fourth image was taken at Alandroal, Alentejo in Portugal and you can see how drought hit a dam, where it let a tree appear that was submerged in water. more

Quest for Calm
The content of the image i.e. the arrangement of the visual elements could be compared to the words chosen to form sentences, while the tone in which they are uttered similar to the tones we select for rendering our images. more

Creative Photography
For me, it is not about the location as much as interpreting the scene in front of you and looking around for more unusual details in order to convey your emotion and vision. more

A Downland Study
A summer’s day in the low-lying Sussex Weald can turn out to be an early spring or Autumn storm on the Downs. But then the Downs can also feel like a desert in high summer; unbearably hot and dry with a heavy haze with only the distant sound of skylarks to remind you that life is still around. more

Hengki Koentjoro
Indonesia is the country I live in; with thousands of islands, it is easily dubbed as the biggest archipelago nation on earth. The ocean, in particular, is my favourite playground; it is a place where one can see calmness as well as the power of the ocean. more

Interview with Paul Hill
In workshops, we come across a lot of people who you would say are mainstream hobbyists but they take on board and embrace the more challenging ideas that we talk about. more

End frame: A line made by walking England 1967 by Richard Long
During my recent MA in Photography at UWE in Bristol, we were asked to identify an image which had inspired us. I chose this early work by Richard Long in which he walked up and down a field to make a line. more