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Paul Wakefield
There is an inherent mystery and contradiction in Paul Wakefield’s work that keeps me returning to it. I will never be able to make pictures like Paul’s, nor should I try; perhaps the greatest lesson we can learn from another artist is authenticity, to simply be ourselves. more
Oleg Ershov
We have Guest Editor Joe Cornish to thank for pointing us in the direction of Russian photographer Oleg Ershov. more
History of Art and Landscape – Part Two
A few issues back, Joe Cornish, David Ward and I started a chat about the origins of landscape and composition in art. The goal was to provide a foundation for a series of articles on composition in landscape photography but, as seems usual when I start researching things, I got sucked down the Rabbit Hole and got stuck researching some of the origins of landscape painting. What I found was interesting enough (to me at least) that I more
The Landscape of Memory
In the photographer’s actual experience surrounded by the light, colour, texture and space of reality, there is simply the moment; a living space/time continuum. more
Simon Baxter
You could say that including Simon Baxter as a featured photographer is thanks for saving me from a long stay in London when the Beast from the East shut down all travel north of Yorkshire. But then again, he seemed happy with the cup of coffee and a bit of cake, so perhaps it's more likely because his photography has a consistent and creative vision of the world which he explores and shares so well through his YouTube videos more
Not According to Plan…
That day at Poverty Flats had been one of my least productive in terms of photography but actually my experiences informed all the images that I subsequently made in the desert southwest and beyond. more
Abstraction in Photography
Appreciation of abstract photography also requires a degree of openness on the part of viewers—a willingness to allow an abstract image to impart its intended effect, rather than just to serve as a means of portraying recognisable objects or scenes. more
Andy Holliman
Here at On Landscape we're always keeping an eye out for interesting, personal projects, particularly ones that work outside of the usual photogenic subjects. more
Photographing gardens designed by Sir Humphry Repton
You might be lucky and the commission is to photograph an area you know well and have lots of insider knowledge about best times and weather conditions and the client has lots of time for you to choose the best day to visit. more
Jan Gray
If I think about it, photography was probably waiting, silently in a corner, for me to get to a stage where I could become a lifelong partner with it. If I’d chatted it up earlier, it would probably have become a passionate but transient fling. more
A Summons to Seriousness
Although we may differ in our preference of where and how we feel most at ease and most motivated to photograph, we all have the choice to consider such situations as “summons to seriousness.” more
Stuart Williams
With the exception of my tertiary education, I have spent my life in Africa, having grown up in Kenya. I grew up under big skies and the equatorial sun. more
The Metaphoric Landscape
Ultimately we all find our own ways of translating what we see in the world, in the landscape, and in our own photographs; and with luck, hope that our way of seeing will find resonance for others. more
History of Art and Landscape – Part One
One of the key aspects of landscape photography has got to be composition. Given our subject matter rarely has a strong internal narrative and the subject rarely has intrinsic emotional value, our arrangement of content within the frame and its emphasis, lighting, etc. are the main thing we have to work with. more
On Staying Inspired
Even in my darkest and most anxious times, whether prompted by world events or by abnormal brain activity. I go out, even if it takes some effort, and I make whatever I’m experiencing. more