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First Steppes with 100 Megapixels
From time to time I reckon all my good luck cards are used up…but then another one comes along. Earlier this year, Drew Altdoerffer from Phase One, with whom I have worked before on Skye and in the Antarctic, emailed. more
Lee Acaster
Lee Acaster has built up an enviable track record of competition successes, so it’s likely that you have heard of him and seen some of his images. more
The Importance of the Sky in our Compositions
As photographers, we are photographing light and the sky, or perhaps more accurately, the sun, as the source of that light. We are drawn to the colours of light around the edges of the day, at dawn and dusk. more
In decline
The melt from glaciers provides an even refill of water for creeks and rivers and keep their flow alive all year around. This has been taken for granted until now. Due to global warming, glaciers are shrinking, and so with a speed, we have never seen before. more
Interview with Colin Homes
I caught up with Colin at the Flaubert gallery in Edinburgh where he currently has a 'retrospective' show which includes work from the last decade or more. more
Killing the Buddha
Far more important, in photography and any other expressive medium, is not how to use our tools but what we do with them, what we each find worthy of creating and expressing. more
Photography and the Concept of Flow
In each of these moments you put your awareness at work the focused and lucid mind is recognising certain elements and situations coming together in not just a visually pleasing manner, but also in a conceptually eloquent manner. more
Michael Gibbs
Trees and woods are a perennial favourite for many photographers, offering plenty of scope for personal interpretations. Michael’s images hint at their mystery but also tease with paint like flecks of colour and light. more
Laki
Laki is today a quiet photogenic area in the Icelandic highlands. Together with the 565 square kilometre Eldhraun lava field, it reminds you of a place which was once hell on earth. I have always found this place and its history remarkable. I can just dream of how this once looked when the eruption was in full action. Unfortunately or maybe even fortunately, today we can only observe what is left of it. more
Beyond The Spectacular Landscape
Like many of my peers, I was first drawn to photographing the natural landscape after seeing spectacular vistas of wild looking places featured in coffee-table books and glossy magazines. more
Compositional Controversies
Loosely defined, positive space is, ‘object’; Negative space is the area between ‘objects’. Hence the title: Form (positive space, not space at all!) and Void (negative space). more
The Subtle World of Infra Red
What the IR camera had done was something similar to what my chemistry would have done to my sheet film in the darkroom, which was retaining all of the tonal variations in the highlights and offering rich dark shadow tonality. more
Endframe: “Deciduous Beech In Winter, Cradle Mountain – Lake St Clair, Tasmania” by Peter Dombrovskis. 1993
The composition is truly exceptional for such a chaotic subject and makes me admire Peter's great eye for these type of scenes. more
Final Flush
I’ve often stumbled upon swathes of wild flowers and grasses but my favourite time of year is around the middle of May when the hawthorn trees and bushes fill with white blossom. more