on landscape The online magazine for landscape photographers
Category Archives: Editorial
Kelp On Opinan Beach
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The Big Move

And that love, that feeling of awe at the smaller and smaller world around me, led me to take all sorts of images that would have been beyond my more narrow-minded Cumbria persona. more

Image 10 M White
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Reading the Landscape

Choosing to follow an instinctive rather than intellectual pathway through an image and its supporting text does not necessarily weaken the veracity of the subject matter either. more

Img 3728 Redigera Redigera
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Exploring Sumi-E

These three techniques—Sumi-e, Negative Space, and black-and-white photography—have inspired a series of images that can really only be created during snow-rich winters. more

6. Oewf
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On Engagement with ‘Form’

It is an approach that I have applied for some time and that has allowed me to start pursuing, as acclaimed American photographer Ralph Gibson puts it, a “visual signature” and to evolve the artistic outcomes I seek (and the methods by which I achieve those outcomes). more

011
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The Perfect Failure

Above all, the whole trip was an unforgettable adventure, which still gives me a big smile when I think about it. Some experiences are priceless, and in such a case, the journey itself is much more important than the destination or the results. more

Suncopating Caustics
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Landscape and all that Jazz

Others have referred to the idea of both music and photography containing rhythm, both containing light and dark, or positive and negative, and to the “subject” being the focus of either piece or image more

Matt Payne Article 2024 4
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Geotagging, Gatekeeping, and Responsible Location Sharing in Landscape Photography

This week, I had the misfortune of having one of my most unique photographs go viral in a Facebook Group about Colorado Photography. I say misfortune because this explosion in views came with a litany of comments from viewers asking me to provide the exact location of the photograph. more

Dsc8992 Edit
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What Makes a Great Photo?

It is when the photographer adds nothing of their imagination or individuality to the photo that it becomes nothing more than a recording of objective appearances. more

Ol Final 8
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But What’s in the Mountains?

Big Sur is renowned for its beautiful, rugged coastline, where the Pacific Ocean meets the Santa Lucia Mountains. However, the features within these mountains are less known. more

Sarine Bp7
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Boring Postcards

I already had an idea for an article on boring postcards in mind when I was writing the last article on The Collecting of Images, having a vague memory of having seen books of boring postcards for sale. more

Turk's Cap Lily, 2024
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On Labels and Limitations

For the longest time, I have forced upon myself a label, a classification, specifically revolving around the type of art I create. Even calling what I make “art” places a name upon my creations and differentiates my work from photography, writing, etc. more

Theobosboom Ghostly Beauty 008
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Ghostly beauty

In June 2023, a Google alert notified me of an explosion of willow ermine moth caterpillars in an area along the Waal River, not very far from my hometown, Arnhem (the Netherlands). more

Nlpa Year 4 Book Cover
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Natural Landscape Photography Awards

Another year of the Natural Landscape Photography Awards has passed and our final judging was just over a couple of weeks ago. Our fourth year ran very surprisingly smoothly with over 12,000 entries. more

Verzasca 2
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On the Collecting of Images

One of the most well-known collectors of photographs is Elton John, who has employed a full-time curator, Newell Harbin, to build up one of the most extensive private collections of 20th Century photographs, many of which are displayed on the walls of his several houses. more

Pfahl
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Ansel Adams in Our Time

There are many talented landscape photographers today who better represent Adams in our time, photographers who have continued to advance the craft and the art. more

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