Join the conversation
Subcribe to comment rss feed
Exploration and Remembrance in Southwestern Oklahoma
Southwestern Oklahoma is not considered a famous tourist destination, but that’s another reason I have always been drawn back to that part of the U.S. The refuge itself has long held a peculiar place in my memory because it is so very different compared to my home in Appalachia. more
Issue 305
Click here to download issue 305 (high quality, 101Mb) Click here to download issue 305 (smaller download, 71Mb) more
End frame: Incoming by Andy Bell
How can I sum up the Andy’s sea work? There is wilderness. Isolation. Power. And above energy, all to reflect the sea being at the edge of change. more
4×4 Landscape Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios submitted by: Andreas Brink, Bob Wielaard, Jens Rosbach & Phil Lewenthal. more
Converting to CMYK
Given the fact that the first time people most people encounter CMYK conversions is when they’re spending a lot of money, you can understand why people get worried. more
Danielle Macleod
Returning to the Isle of Lewis and its abundance of natural materials helped to spark her creativity, and a mentorship through An Lanntair's Artist Support Scheme provided the confidence needed to develop a personal practice outside of art school. more
Jesse Brown Nelson – Portrait of a Photographer
In addition to his skills as a photographer able to see both wide and near, Jesse’s story may inspire readers while instilling some ideas on becoming a better photographer. more
The Jawbone and the Element of Surprise
Sometimes, the most captivating images emerge only when we resign ourselves to the possibility of not finding anything at all. Perhaps it is in these moments that we are truly open to being surprised. more
Issue 304
Click here to download issue 304 (high quality, 119Mb) Click here to download issue 304 (smaller download, 73Mb) more
End frame: The sum of its parts ‘Dalí Atomicus’ by Philippe Halsman
As someone who initially began their introduction to the world of art via the traditional mediums of oil and charcoal I’ve always been drawn to work that connects the historical and traditional to the relatively modern advances of image capture and editing. more
That Other Landscape
‘That Other Landscape’ is a rare collaboration of three creative Scottish Landscape Photographers showcasing their work in a touring exhibition. The aim is to find out if there can be a space within the ‘art world’ for photography to share the walls as a variant medium rather than a foreign entity. Photography will always be exhibited in galleries but rarely alongside paintings, sculpture, installations etc. and often only as a body of work, sharing a message or story as a more
Uge Fuertes
I try to make creativity a path. The daring and risky composition is my hallmark; I like to seek perfection in composition and highlight only the remarkable, ignoring the rest. We are what we photograph and also what we see. Seeing is not only a physical question. more
The Thing Itself
Edward Weston’s thoughts on photography are peppered throughout his Daybooks (journals predominantly covering the period 1922-1934). more
This is my truth, Tell me yours
The sheer delight in being faced by the lighting in the landscape from a sky on fire as the sun rises or sets can be some of the best medicines which can’t be prescribed by any doctor. more
Any Questions, with special guest Paul Mitchell
Welcome to the fourth episode of our "Any Questions" series, where hosts Joe Cornish and Tim Parkin delve into the questions you've submitted. This month's guest was Paul Mitchell, and we had a bunch of questions about his thoughts on beauty, critiques, pinhole photography, design and book making and more. more