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Joe Blogs
A few years ago I was in Edinburgh when the G8 summit was held there. A widespread good-humoured protest rally marched through the city. One group that caught my eye was the one in skeleton costumes carrying banners that said “Save the planet – join the Mass Suicide Movement!”. I couldn't help smiling and thinking that this was unlikely to be a successful political campaign… even though you could see that from an ecosystem perspective, they had a point. more
End Frame – Reflection, Orsjon by Jan Tove
I must admit to a bit of guilt after seeing the responses of Julian Barkway and Joe Wright to my proposed End Frame request. more
Issue 75 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 75 more
Composing Chaos
Let's face it, nature can be pretty chaotic at times. Not really on the small scale, where natural forms can be elegant and beautiful, or on the large scale, where distance and perspective bring order and a ready visual hierarchy - sky, land, sea, patterns of agriculture: it's all there in front of you. No, it's the bit in the middle where things start getting tricky. The middle-ground can often be a chaotic, confusing place but it can also more
Tromso
Am I really here in this wonderful, beautiful setting? A classic calm fjord with crystal blue water lit by soft sun and stunning autumn colour all around? Yes I am, at Ersfjorden on the island of Kvaloya near Tromso in Norway, with a small group of old friends and some new faces. We’ve just arrived on a photo tour with Tony Spencer and David Ward and we were settling into our self-catering accommodation, beautifully located on the edge of more
Michael Jackson – Poppit Sands
If you've been reading On Landscape for a while you'll remember in issue 26 that we interviewed Michael Jackson about his black and white project on the patterns at Poppit Sands. Michael has continued to create more work in the series and has had great success in promoting it to various establishments. This month sees a small 'taster' exhibition at the Beetles & Huxley gallery in London. Ten prints are on show selected from Michael's substantial catalogue of more
Park Light
I’ll admit that my knowledge of the Irish landscape is quite minimal. I’ve seen a couple of books (including Paul Wakefield’s) but I probably know the US landscape in more detail thanks to the joys of the interwebs and the areas I do know are probably just the cliches. That’s why it’s nice to see a book going into detail about one area of this so obviously beautiful country so we can see some of the range of beauty more
Charles Twist Interview
Can you tell me a little bit about where the exhibition started from because I know that you have been interested in large format photography for a long time, and specifically the use of old lenses, by which I probably mean pre-1920’s, and old techniques, which you have become interested in I think more over the last few years. It’s the old greasy slope and curiosity killed the cat type problem. I started off as a 35mm photographer on film more
Joe Blogs
It has long been photography's cross to bear that of all the crafts and communication media it is the one whose image is most tainted by associations mechanical (as I suspect David Ward once wrote); that, and its apparent easy-ness. It seems that the vast majority of camera advances involve automation of one sort of another. Make photography easy and cheap enough and everyone can and will take pictures. And that is literally what has happened. George Eastman of more
Timo Lieber
Welcome to our featured photographer section where in this issue we'll be talking to Timo Lieber, a German photographer living in London and who has recently been shortlisted at the Sony and Wildlife Photographer awards. Can you tell us a little about your education, childhood passions, early exposure to photography and vocation? My degree and day job are in finance and hold little relevance to photography. I did, however, enjoy helping my dad putting together films from family hikes, so picking more
End Frame – Porch, Provincetown, 1977 by Joel Meyerowitz
When I was asked to contribute to ‘End Frame’ I readily accepted, thinking what could be easier than writing about a favourite photograph? Then I started to think about which photographer to pick, and exactly which image, and the problems suddenly seemed to multiply. Who do I consider my favourite photographers? How can I possibly pick a favourite image from so many? I can easily reel off the names of a good couple of dozen photographers whose imagery I more
Issue 74 PDF
You can download the PDF by following the link below. The PDF can be viewed using Adobe Acrobat or by using an application such as Goodreader for the iPad. Click here to download issue 74 more
Terry Abraham Interview – Life of a Mountain
On Landscape have helped the Rheged to put on an exhibition of Lake District photographers and also a talk by David and Angie Unsworth and a workshop by Mark Littlejohn to coincide with the launch of Terry Abraham's movie "Life of a Mountain", a full feature about Scafell. We talked to Terry about his project and asked him how he the whole thing started. Tim: We’ll start off asking you a bit about your background as a photographer film maker. more
Joe Cornish and David Ward Discuss Photos
Last week we ran a webinar with David Ward and Joe Cornish where each photographer chose three of their colleagues images to discuss. The video is now available on You Tube but we've transcribed the content and included the images at higher resolution here. https://www.youtube.com/watch?v=fzTMr1JClrU Tim: Hello and welcome to ‘On Landscape’ and we’re here with Joe Cornish and David Ward. David/Joe: Good evening. Tim: And we are doing something fairly new in a way. Normally we’re critiquing other people’s work but you’re more
Harry Callahan Exhibition and Catalog
"I know what you're thinking: 'Did he use two sheets of film or only one?' Well, to tell you the truth, in all this excitement I've kinda lost track myself. But being as this is a Deardorff 8x10, the most powerful camera in the world, and would blow your D800E clean away, you've got to ask yourself one question: 'Do I feel lucky?' Well, do you, punk?" - filed under "Things Harry Callahan might not have said" more