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End Frame: Callanish Shadows by Wojciech Kruczynski
The only aspect allowed to move freely outside this circle is the energy flow. Where is it going and why? What other energy resides in the circle? Why are they there? more
Biblioscapes Reviews
A brief background to Biblioscapes. It is a lockdown side project I started back in April 2020 as a way of sharing a selection of the photobooks I own, offering people an opportunity to view the books as flick-through videos. more
Humans at Work
In the early 1980s, I graduated from Edinburgh University with an honours degree in Environmental Chemistry. My final year research dissertation examined chemical processes involved in the destruction of the ozone layer. I never went on to pursue a scientific career because, back then, environmentalism really wasn’t taken seriously and there were very few jobs that weren’t about trying to keep the big polluters just about on the right side of the law. more
The Karakoram by Colin Prior
This book and these photographs truly are the summits of Colin Prior’s lifelong journey of the imagination. Although it has taken more than 100 years, finally, Vittorio Sella’s baton has been well and truly passed on to Colin Prior. more
Paulo Valdivia
After talking to Paulo, and reflecting on the many interviews I’ve undertaken for On Landscape, it’s clear that for everyone inspired at an early age by a parent or relative, there will be others who come to photography later in life. It doesn’t really matter when you start making images or begin any new creative pursuit, so long as the timing is of your choosing, and you trust yourself. What comes across in our interview with Paulo is a more
Being Explored by the Landscape
Photography has also forced me to really look. The trees used to be just trees, bushes were bushes and in the sky, there could be clouds and maybe it rained. But now I see shapes, patterns and relationships. more
Photographing the Un-Grand Landscape
With a fine-tuned ability to see, photographic opportunities will inevitably increase; but that will be of small value unless there is a willingness to receive them with an open mind. more
Issue 228 PDF
Click here to download issue 228 (high quality, 183Mb) Click here to download issue 228 (smaller download, 126Mb) more
End Frame: Gull’s Nest, Midsummer Eve, Isle of Skye by Bill Brandt
I saw this at an exhibition sometime in the 1980s and it made a deep impression on me. The nest in the foreground with its three eggs and a single feather has a wonderful sense of intimacy, of secrecy. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Alistair Young, Camila del Castillo, Jesibel Fernandez & John Martin. more
The Perfect Landscaper’s Camera?
In all other respects the 100S is great news, a smaller packable camera backed up with a good well fleshed out lens system and with a modern and malleable sensor. more
What Is Real?
We must be unapologetic and explicit in our aim to show viewers things they almost certainly would not see on their own, to inspire in our viewers experiences they would never have if it were not for our subjective sensibilities and feelings, our creative and expressive skills, and not just our technical abilities. more
G Dan Mitchell
It was probably over a decade ago, more like 15 years I imagine, when I first saw Dan's photographs. I think it may have been on Fred Miranda or possibly via a blog circle. more
Jennifer Renwick – Portrait of a Photographer
I decided to focus on the artwork of a photographer who has long inspired me, not only because her photographs are powerful, evocative, and unique, but because she is one heck of an amazing person and a fabulous steward of the natural places we all cherish. more
Familiarity Breeds Content
Many photographers believe that repeatedly visiting a location not only gives them that familiarity with the area to more easily get better photographs of subjects they know well, but crucially they also find it easier to make more incisive new images, showing the character of a location and how it changes with light, weather, seasons and indeed the photographer’s own mood. more