Join the conversation
Subcribe to comment rss feed
Stuart Clook
Stuart Clook’s work mixes places beloved by 21st century filmmakers, audiences and adventurers with 19th century photographic and printing processes, exploring the way that colour can influence perception and deliberately making room for error and discovery. more
Passing Through – Paul Pell-Johnson & Joe Cornish
In the first edition, we're talking to Paula Pell-Johnson of Linhof Studio and our own Joe Cornish where we cover ground from megapixels to film and some of the new products that Paula is excited about in the coming months. more
The Triptych
I was attracted to the triptych in this form and sought to further the balanced outcome by having each piece focus on the same landscape. In this way, each image is of equal importance but provides new information by showing the subject from a new angle. more
Remnants on the High Plains
The objective of finding the abandoned places led me through some of the most beautiful grasslands I have ever seen. more
Outer Hebrides
When Mother Nature is at her worst, the Outer Hebrides have that “edge of the world” feel, where a dramatic but unprotected coastline meets the full force of the Atlantic. more
Issue 186 PDF
Scottish Summer has arrived and disappeared in the last two weeks and Joe Cornish has been up to experience some of it with us. However, we spent most of our time chatting about photography trips and cameras, especially as Paula from Linhof Studio joined us for the latter half of the week. more
End frame: Spirit of the mountains
When you find yourself staring at a small fraction of the mountain world – such as the rocks’ hues spice with touches of early snow’s traces - enough to become a very small particle of that world then you might experience the pure beauty. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Charles Twist, Fabrizio Marocchini, Phillip William Jenner & Stephen Peart more
Letting go of Truth
To be honest, this all contributes to my love affair with monochromatic photography. Because abstraction is more obvious for the viewer, and for me, it gives me more artistic freedom. more
Adam Fowler
Adam has for some time been considering in photographic terms the structures that we tend to avoid or overlook, including the many hydro-electric dams built in the Scottish Highlands in the 1950s and 1960s. more
The Dunes at Oceano
The area has an interesting history and has been the subject of some classic photographs, most notably by Edward Weston, his son Brett Weston and Ansel Adams more
Ditching Graduated Filters
Setting aside my own experiences there are many reasons to make the case for a “gradless” capture process. more
A Question of Meaning
I believe that what a photograph is about is but one manifestation of self-expression. I express myself in every photograph by way of the decisions I make at the time of capture and in processing. more
Issue 185 PDF
Tim Parkin Just before I started to write the editorial for this issue, I noticed that David Clapp had written a blog post about the ‘ugly decade of the comment box’. more
“Shaped by the Sea” Book Review
The project can be summarised as covering the tidal zone of Europe’s Western coastline. Theo humbly says “It was never my intention to cover Europe’s entire Atlantic coast” as if this was perhaps a passing thought, discarded at the last minute. more