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Direct to Plate Photogravure
After success with carbon ink printing by Cone Editions, I noticed they had a lot of photogravure classes and I was curious. How would photogravure compare to carbon ink? Does it look different? Would it get more attention? Is it more durable? more
On Engagement with ‘Form’ Part Two
But the outcomes, the benefits of having those conversations, the benevolence taking root, that I am made better by having such conversations, and the stories that I have made from them in my images must be shared. more
Cleansing the Soul
As the golden light of morning penetrates the veil of fog and pierces through our lenses, all our photographic senses are heightened, and there is nowhere else that we can be but right here in the ‘now’. more
Issue 322
Click here to download issue 322 (high quality, 69Mb) Click here to download issue 322 (smaller download, 35Mb) more
End frame: Ash tree, Balmacara by Colin Prior
In this autumnal palette, death does not mean the end but a transformation. The ash resists mourning its loss and does not shrink from its bareness. The elder stands with a quiet confidence, unshaken, an echo of strength. more
Any Questions, with special guest Paula Pell-Johnson
In episode fourteen, we talk with Paula Pell Johnson, who shares the history and evolution of her family-run photography business, Linhofstudio, and much more more
Anne Campbell
My love for the Scottish landscape and its remote locations is, for me, better represented using a variety of darkroom processes and papers, than being a perfect HD colour image. more
Can You Hear the Music?
The most important tool of photography is your mind. Keep it sharp. Avoid distraction. Fill it with knowledge about your subject matter. more
Winter Colour
My philosophy of photography has evolved a few times over the last decade, but there’s a core question I keep coming back to: am I doing a thing in order to create images, or am I doing it to have an adventure and maybe create image opportunities along the way? more
The Challenge of Over Shot Locations
When I arrived, I came across another challenge: How do I go about photographing an area which has been shot to death by so many other photographers in the past? more
Issue 321
Click here to download issue 321 (high quality, 131Mb) Click here to download issue 321 (smaller download, 92Mb) more
End frame: Papaver Nudicale by Tine Poppe
The flowers, just past their peak and beginning to wilt, are set against the smoky, foggy and greyed landscape backgrounds, which evoke the tumult and terror of Romantic era painters working in nature’s Sublime. more
Charles Millen
The move also reignited my passion for photographing Tasmania’s wilderness. Adjusting to life back home took time, but it allowed me to develop the skills needed to explore and photograph remote areas confidently. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Enzo Crispino, Goran Prvulovic, Mika Stetsovski & Peter Berlinghof. more
Brenda Tharp – Portrait of a Photographer
Her connection to nature deepened over the years, and she ultimately carved out a career in editorial and commercial photography. Yet, it was her passion for outdoor and nature photography that called her back to her roots. more