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The Fall 2017-2018
David Rosendale’s latest exhibition at The Fox Gallery is a breathtaking look at what’s beyond the built environments of Falls Creek. more
Ethics in photography
The thorny issue of ethics and moral responsibilities in documentary photography, particularly in the case of photojournalism has been discussed many times. more
Experiences of photographing a metropolis from a helicopter
“Doors-Off" flights offer the passenger an almost 180-degree view to the side of his or her seat and the chance to point their lens almost vertically downwards. more
Brian Kosoff
In contrast to the many landscape photographers who go to great lengths to exclude obvious signs of man from their images, Brian embraces these and imbues them with an elegance that defies their often humble origin more
Rombalds Moor ~ Intimate and Vista Photographs
Rombalds Moor, better known as Ilkley Moor, due to its position South of the town, became a project after daily walking on this wild moorland. more
Ebb and Flow
In October 2017, my relationship with landscape photography suddenly changed as if someone flipped a light switch. By not giving up on, but rather giving into the process, I found flow in my life (and photography) again. more
Issue 163 PDF
In reality, there is an obscure underbelly of photographic practice that (mostly) keeps itself to itself. This includes pinhole photography, film photography, polaroid and a whole swath of historical practices. more
The Collodion Artist
In a world of high iso, high megapixel, high dynamic range photography, why do so many artists use a medium that was out of date in the 19th Century? more
End frame: Cedars and rock circle, Merced River, Yosemite National Park, California, 1986 by William Neill
It hints at something out of the natural order. Peaceful but somehow slightly unsettling. There are many of the usual components of a landscape photograph, trees and rocks and water but no foliage. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 photography portfolios from our subscribers: Anthony Shaughnessy, Ian Smith, Leonardo Papèra & Phil Corley more
A Look at the Resurgence of Wet Plate
We asked Alex Boyd, a well-practised collodionist himself, about what it was about the medium that attracted so many people more
Tales of Abruzzo
I started photographing years ago, as it was just a passion that would allow me to bring home memories of what I was living. more
Floral Portraits
in recent years I have become captivated by the more cultivated and tranquil charms of Thorp Perrow Arboretum, Bedale. more
Karl Mortimer
Working my way through his website it appears that a more graphic emphasis is coming into his work – his use of the square format, the negative space in his compositions, and his macro minimals. more
Sally Mann
I have now read her memoir, Hold Still, twice and am pretty sure I could re-read it several more times, never be bored and continue finding new depths and insights. more