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Hans Gunnar Aslaksen – Portrait of a Photographer
I first became aware of Hans’ work because he submitted it to the Natural Landscape Photography Awards last year, where he earned a top 10 finish for his overall portfolio. more
Discovering Purpose
I wish to highlight how I have begun to find my own purpose, namely through turning moments of pain into something worthwhile, something which I - and perhaps others - may learn from. more
End Frame: Twilight Canyon, Glen Canyon, Utah, by Eliot Porter
These issues are once again gaining great importance with global warming and climate change, a long multi-year drought lowering the lake to critical levels, and the lake silting up more
Laurentiu Pavel
We can thank the light – and work – for slowly but inevitably drawing Laurentiu towards photography. It’s interesting that this, rather than a love of outdoor activities, came first. more
Leaving the Cave
Of course, photographs can also be much more than just (partial) evidence of, or accessories to understanding, what is likely to be true. They can also create new truths. more
The Bleeding Riverbed
This stretch is no more than 40 meters in length, showcasing deep reds, which, when looking closer, could give people the impression that the riverbed was bleeding. more
Thoughtfully Choosing not to Act
No matter if we are amateurs or professionals, when we feel the weight of these choices, I believe that the best thing we can do when facing such a conundrum is thoughtfully accepting not to act. more
End Frame: No Smoke Without Fire by Joe Cornish
Starting with the broad elements, we seem to have a sort of paradise in the background, full of light, leaves, green, and ephemeral light and, seemingly, some sort of hell archetype in the front, scorched earth, scattered debris and all the evidence of the fire. more
Time To Wonder by Joe Cornish
As Joe has already mentioned in his own overview of the Fountains Abbey project, it wasn’t really his favourite subject matter. In fact, as far as landscape goes, you couldn’t get much further away from his love of mountains and wild places. But a challenging job like this is just why you need someone like Joe Cornish to get the very best out of a landscape such as this. more
Minimalism in Infrared
The high contrast effects of monochrome infrared images can often be used quite effectively to augment the minimalist feel of landscape photographs. more
Roger Fishman
So part of my intention is to elevate water as an art form. To increase and change the dialogue about water. Thus, by creating images of water as art, water can be seen and felt as something super special. more
Jim Lamont – Portrait of a Photographer
There is a rich history of landscape photographers taking up the cause of climate change and natural resource protection through their work. more
10 years as a Professional Landscape Photographer
The anniversary is a great time to look back at the past period. What has changed? And what will the future bring? Although I am under no illusion of being complete, I would like to mention some developments in landscape photography that stand out for me. more
Greina Pass
The constantly changing climate has created a landscape that made me nostalgic for the mountainous areas of the UK. At certain points in the pass, you’d come across weathered mars-like rocky structures, boggy swampland and deep carved out gorges. more
End frame: Earthrise by Bill Anders, Apollo 8, 1968
The astronauts (and everybody around them) were dutifully machine-like in their approach to the mission, but it wasn’t until they were more relaxed that they were able to appreciate a different perspective altogether. more