Water and Fire
At grassroots level, as well as governmental. As photographers, we can share our ideas, our images, our concern and our determination. more
           Rush Oak Field Camera
The scent of blossom drifted through the iron gate. No one stirred in the twilight forest but between shadowed boughs shone the heady colours of the painted bushes. more
           Benches in the Landscape
The common denominator is that they are there to serve a general purpose. They’ve been put in that particular place to provide somewhere for us to sit, for us to take in the view. more
           Gheorghe Popa
It is strange that although one is a natural lake and the other one is an artificial lake filled with poison, to me they have things in common, like the trees in the water. more
           One Hand Snapping
My photography has changed. Having been forced to work more slowly, I am more used to a slower, more considered approach to my image-making. more
           End frame: Twin Oaks 1956, Wynn Bullock
The photograph is not only about two trees. For me, it's more about the complexity of nature, that there is always something more to discover if one just takes the time to look. more
           Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio features are from subscribers: Christophe Wilmotte, Peter Dyer, Sandra Roberts Sara Harley more
           The sea is just a stone’s throw away
I took it as a challenge: capturing the sunset in a way that could not be done with a smartphone. What better way to push the creativity and techniques. more
           Green
A short set based around the depth of green felt in woods during the late summer evenings as we draw into autumn. more
           When The Inclement Times Refrain
This set of images were taken whilst walking around the closed ski resort of Campocatino in Central Italy, on the day before Italy put in further lockdown restrictions for the Christmas holidays 2020. more
           Leaf Stories
For the past 18 months, I have been walking and photographing our local trails in Bridgewater, Nova Scotia, Canada and call my project Trailings. more
           The Experience is All
I have found that in order to make my most meaningful and expressive photographs I had to learn to put photography out of my mind—to not allow it any attention at all until called upon by some aspect of a meaningful experience to make a photograph. more
           Nobody Expects the Inquisition!
One of my overarching motivations for photographing is to explore the gap between how the combination of my mind and eye apprehend reality and how a camera and lens render that. more
           Ângelo Jesus
I consider myself mostly a reactive and instinctive photographer and as I said before, I always like the idea of waiting for nature to speak to me and show me the way. I think the key is full observation, patience and persistence. more
           Jerry Greer – Portrait of a Photographer
Jerry’s new project, “Dust to Dust” focuses on the impacts on both the natural environment of the region as well as the impacts to the built environment and the various intersections of each. more

