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Patterns of the Outer Hebrides
This brief collection of photographs is a highly curated synthesis of what the Outer Hebrides represent to me in a deeply aesthetical way. more
Finding Beauty in the Fog
Landscapes in the marsh and along the canal can be cluttered making it more challenging to isolate the scene. But with fog comes the opportunity to discover and capture the beauty more simply. more
ICM – First attempts in a new and unknown direction
For some time I have had a wish of making more abstract images, concentrating more on shapes, colours and my own emotional responses to the landscape rather than the subject itself. more
The West Coast
My family and I have been visiting the West for coming up to a decade, with a particular focus on the Inner Hebrides. I quickly found myself utterly enchanted by the area. more
Lockdown Podcast #7
This issues podcast's topic is books and specifically, Joe and David's experiences making their first ones. more
Tragedies of the Landscape Commons
In recent years, landscape photography has become so popular that photographers now pose a real risk to the welfare of natural landscapes and their communities of life, and to the experiences these places make possible. more
The Path Towards Expression – part 4
At the very root of the project “Totems” lies a critical opinion about the unsustainable relationship between human beings and their environment. more
Jenifer Bunnett
Jenifer’s images show a quieter side of the sea, though not without the potential to occasionally take her feet from under her. more
Perfection in Nothingness
What does this image convey to you? A feeling of peace, calm and quietness? Does it suggest tranquillity and harmony? Perhaps a meditative feeling, of a sense of emptiness? more
Salinity
I saw the potential for revealing a chaotic harsh environment seemingly devoid of conventional photographic beauty in graphical terms. more
The Post-Processing Debate, Part II
The essence of the current debate is, at what point does post-processing cease to approximate reality as it was and begin to depict reality as the photographer wished it to be? more
End Frame: Autumn Leaves in Wood by Glenys Garnett
Are we looking at the mist in the woodland, or do the colder tones, along with the sparse nature of the leaves, represent the last throws of autumn and the onset of winter? more
Cloudscapes
The huge fall in air travel since late March seems to have brought out cloudscapes which I’d either never noticed before or were hidden by the crisscrossing contrails. more
Landscape and the Philosophers of Photography
The battle between the photographer and the camera to provide an informative image and avoiding redundancy is an increasing challenge as novel locations become commonplace and cameras and digital processing more sophisticated. more
There are no Straight Lines in the Wilderness
Out here in this wild and barren place, was geometric evidence of man shaping the landscape, but with conventional photography, I couldn't get the photograph I wanted. more