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The Edge of the Saharan Great Sand Sea
These are photographs taken over twelve hours during a brief visit to the Moroccan end of the Saharan Great Sand Sea. more
Stuart Clook
Stuart Clook’s work mixes places beloved by 21st century filmmakers, audiences and adventurers with 19th century photographic and printing processes, exploring the way that colour can influence perception and deliberately making room for error and discovery. more
Passing Through – Paul Pell-Johnson & Joe Cornish
In the first edition, we're talking to Paula Pell-Johnson of Linhof Studio and our own Joe Cornish where we cover ground from megapixels to film and some of the new products that Paula is excited about in the coming months. more
The Triptych
I was attracted to the triptych in this form and sought to further the balanced outcome by having each piece focus on the same landscape. In this way, each image is of equal importance but provides new information by showing the subject from a new angle. more
Remnants on the High Plains
The objective of finding the abandoned places led me through some of the most beautiful grasslands I have ever seen. more
Outer Hebrides
When Mother Nature is at her worst, the Outer Hebrides have that “edge of the world” feel, where a dramatic but unprotected coastline meets the full force of the Atlantic. more
End frame: Spirit of the mountains
When you find yourself staring at a small fraction of the mountain world – such as the rocks’ hues spice with touches of early snow’s traces - enough to become a very small particle of that world then you might experience the pure beauty. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Charles Twist, Fabrizio Marocchini, Phillip William Jenner & Stephen Peart more
The Dart Head
Using Alice Oswald’s award winning, long form, poem “Dart” as a guide I am hoping to interpret the river as it flows from its source on the high, floating bogs of Dartmoor, through south Devon to the sea. more
Spring morning in Abruzzo
Perfect squaring is repeated like fractals, making nature more and more fascinating. A thousand bubbles enclosed and hidden in the cold, motionless, seem to want to escape and free themselves. more
On my home patch
I was spurred on by my rediscovery of the technique of reversal processing, which in short, consists in the creation of positive images from standard silver gelatin emulsions layered on paper or film. more
The Balearic Islands
Seascapes for me are a real novelty as I live in Derbyshire. My go to landscape locations are The Peak District & the surrounding areas. more
Letting go of Truth
To be honest, this all contributes to my love affair with monochromatic photography. Because abstraction is more obvious for the viewer, and for me, it gives me more artistic freedom. more
Adam Fowler
Adam has for some time been considering in photographic terms the structures that we tend to avoid or overlook, including the many hydro-electric dams built in the Scottish Highlands in the 1950s and 1960s. more
The Dunes at Oceano
The area has an interesting history and has been the subject of some classic photographs, most notably by Edward Weston, his son Brett Weston and Ansel Adams more