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Endframe – Dawn on the Trotternish by David Noton
Since I got into landscape photography seriously, I’ve always admired one man. His dedication to the art is undeniable and his enthusiasm for the subject comes across in floods in his writing and his images. more
Endframe: “Maple and Birch Trunk & Oak Leaves” by Eliot Porter
Almost all the other photographs were obvious subjects – mountains, rivers, etc – photographed in more or less bombastic style. This was a more subtle shot; small trees in a dense woodland arranged all on top of each other in the middle of the frame. more
Endframe: Approaching Storm by Chris Upton
Is it a landscape image or am I just on a nostalgia trip? I’ll let you decide but to me it’s both. A photograph of any type is by definition a moment in time past so the two are probably inexorably linked. A lot of our industrial landscape has slipped away over the years without being captured. more
Endframe: Platon, North Kivu, Eastern Congo by Richard Mosse
I’ve selected the image, ‘Platon, North Kivu, Eastern Congo’ from his series ‘Infra’. Broadly speaking, ‘Infra’ offers what is referred to as a “radical rethinking” to the portrayal of the conflict in the Democratic Republic of the Congo. more
Endframe: Namib Desert 03, Namibia by Bernhard Edmaier
After years of trying to achieve such clarity through simplicity in my own work, I have really come to admire Bernhard Edmaier’s stunning aerial photographs more
Endframe: Oriental II by John Paul Caponigro
John Paul Caponigro use of colour, tonality, light and subject matter never ceases to amaze me and repeat visits to his work are always rewarding. Whenever I flick through the book, regularly pausing to take in the imagery, there is one page that is most salient to me more
Endframe: Bulldogs by Elliott Erwitt
Verbal humour is slippery. To get a joke requires a subtle understanding of language and culture. The fact that visual humour is universally understood leads to an interesting conundrum. Why are there so few photographers who are known for their conscious use of visual humour? more
Endframe: Contours in Blue by Joe Cornish
The picture is primarily wave-worn undulating grey limestone rock, with some pebbles and small pools of sea water that are in the process of drying out. And yet what we see is definitely not it what it says on the tin’s list of contents. more
Endframe: David with daughters, 2008 by Sirkka-Liisa Konttinen
I think landscape photography is a valid and impossibly important vehicle for storytelling, as much as any other form of photography, documentary or conceptual. more
Endframe: Gondola, Venice by Charlie Waite
I'm grateful it inspired me to think differently about all aspects of my work. At first sight I enjoyed its simplicity and then an analytical study revealed just how carefully the image had been considered. more
Endframe: “Nianån Creek in winter” by Hans Strand
It took me quite a while to decide which image I would like to write about in the End Frame, as there are so many images that influenced me in a significant way, and even more that are a pleasure to look at. more
Endframe: “Reflect on Autumn” by Mark Lakeman
Working my way across the country, from Dartmoor to Yorkshire hosting the Canon GPS Days with Tim, I would have given anything to substitute the damp and grey for a few seconds of a golden viewfinder, especially in the New Forest where the colours were exceptional. more
Endframe: “Evening on Charles Bridge” by Josef Sudek
I can think of many images I love and many photographers I admire, however the more I think the more my mind keeps returning to two names. more
Endframe: Bogna Patrycja Altman
Personally I’m first stirred by the composition, the central positioning of the tree immediately arrests my attention. I cannot be pulled away, as the subtle but assertive diagonal lines keeps pulling me back more
Endframe: “Bridal Veil” by Charlotte Gibb
What immediately struck me about this image was its faithfulness to the intimacy and essence of the name of the elegant Bridalveil Fall in Yosemite National Park. more