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Issue 173 PDF
Click here to download issue 173 (high quality, 120Mb) Click here to download issue 173 (smaller download, 64Mb) more
In the Dreamtime by Nicki Gwynn-Jones
Being as she has only lived on the island for a couple of years, she has produced some fantastic work and this particular book, printed on Orkney as well, focuses on the flowers and grasses on this windswept land. more
Island by Hans Strand
I know I’m a critical viewer though and a few people have been impressed with the publication when they’ve dropped by and if you’re a big Hans Strand fan (with equally big pockets and arms) then this is probably a must buy. more
Photographing Snowdonia Mountains by Nick Livesey
After an excellent start to the book showing the safety, accessibility and local knowledge aspects of walking in the mountains (i.e. Where to get a good breakfast!) the book’s core content is a series of high-level mountain walks, with viewpoints selected along the way. more
Behind the Photograph by Charlie Waite
If you’re an older photographer, you may remember the original ‘The Making of Landscape Photographs’ and ‘Seeing Landscapes’ books that Charlie produced in the 1990s and if you do then, like me, you would have enjoyed reading his descriptions of how he found and constructed the photographs therein. more
End frame: Untitled 2008/09 by Bill Henson
The eye searching for detail wants to automatically aim straight for the lovely rich cloud on the left but as soon as it does you want to explore further. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Goran Prvulovic, Jason Jones, John Potter & Paul Hetzel. more
Trym Ivar Bergsmo
I've been following Trym's work on Facebook for quite some time and it's nice to see work from such an iconic place as Lofoten but through the eyes of a 'local'. more
Charlie Waite
Charlie was the opening speaker at this year's Meeting of Minds conference in Penrith. His talk was on an investigation into what the landscape photographer needs to attempt to invest into the photograph to draw a favourable and positive response from its audience..... more
A Visual and Tactile Adventure
During this year I have participated in a project called ‘Territoire-s’, which was an artistic exchange of ideas between artists from two countries. more
Transitions
Making colour management a key part of your workflow is essential if you want to avoid this disappointment. more
Doug Chinnery
I am particularly drawn to the abstract impressionists, the impressionists, the cubists and so on. From this, I have found my own image making has been hugely influenced and all of my work is now abstract in form. more
Winter on the Isle of Skye
Most of all there were powerful lights and strong contrasts depicting perfectly the rich culture of the land; the long history that built it and the strong characters of the people living here. more