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Looking back, looking forward
On a now regular, long, late night drive home from Teeside I was running back through all the different combinations of camera equipment I have used since taking up photography back in 2000. more
Rob Hudson
Rob’s work demonstrates the importance of series, which give a photographer space to develop and to communicate. If you want to get past received wisdom and think more about your relationship with the land, then read on. more
Issue 110 PDF
The Photography Show. An extraordinary combination of magic moments and subtle torture - the former being those wonderful meetings with photographic acquaintances old a new, a collision of ideas and inspiration from both sides of the conversation. The subtle torture being that constant background hum of voices that are just on the edge of clarity, the industrial lighting and recycled air, the lack of anywhere to hide for a few moments. Fortunately we quickly forget the latter and so it's more
Looking for excellence
We all know how a memorable photograph looks like. We have so many examples that take our breath away. It takes talent, chance, work and a lot of passion. more
Endframe: Bulldogs by Elliott Erwitt
Verbal humour is slippery. To get a joke requires a subtle understanding of language and culture. The fact that visual humour is universally understood leads to an interesting conundrum. Why are there so few photographers who are known for their conscious use of visual humour? more
An Interview with Despina Kyriacu
I saw Despina's work at a gallery in London and had wanted to talk with her about her photographs for a while. This year we finally met up at Joe Cornish's gallery in Northallerton for an interview about her history and working practise. more
Subscribers 4×4 Portfolios
This issue the 4x4 portfolios are from Colin McLean, Joe Rainbow, Andrew Herbert & Karen Thurman more
An alternative view…
As always, my inclination is to look for things other than the grand vista to photograph, to search for things that speak to me more of what I personally consider the essence of this place more
This Land – Joe Cornish & Roly Smith
Joe Cornish’s new book This Land explores the wonderful diversity of the geology of Britain and celebrates the variety and scope of the British landscape. more
Linda Lashford
I think I am a traveller who makes portraits of the places I encounter. The landscape might be the whole subject, or it might be the canvas on which other things are imprinted more
Issue 109 PDF
Originally called ‘Focus’, the Photography Show includes nearly all of the big manufacturers and lots of little ones as well. We’ve been helping Paula Pell-Johnson with the Linhof Studio stand for the last few years and this year we’ve ramped things up a bit as we’re managing the ‘Talks Hub’, a quarter of the Paula’s whole stand given over to expert talks on a variety of subjects from the likes of David Ward, Doug Chinnery, Dan Rubin, David Higgs, Joe more
Creative Lightroom Pt 9
In this Lightroom installment we're taking a quick look at the panorama module. For most panoramas with good originals with decent overlap and lots of detail, Lightroom will do an excellent job with little user intervention more
On Landscape Conference Update
We have been busy sorting out the new speakers and exhibitors for the Meeting of Minds Conference this November. Ticket sales are going well with three quarters as many tickets sold already as we had for the whole of the conference in 2014! more
Endframe: Contours in Blue by Joe Cornish
The picture is primarily wave-worn undulating grey limestone rock, with some pebbles and small pools of sea water that are in the process of drying out. And yet what we see is definitely not it what it says on the tin’s list of contents. more
Subscribers 4×4 Portfolios
This issue the 4x4 portfolios are from Emmanuel Boitier, Nils Karlson, Paul Richards & Raffaele Infante. more