on landscape The online magazine for landscape photographers
Category Archives: Issue
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End frame: Torridonian Sandstone by Alex Nail

For me, it represents the darker and more foreboding side of Scotland and perhaps one which I should embrace more when I encounter it, rather than just purely seeking those wow moment – just one reason I have moved up here. more

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Beyond Equivalence

The Equivalent is one of those ideas that in practice grows by the efforts and accomplishments of the people who explore it. ~ Minor White more

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Quiet

The landscapes I capture on the remote Scottish Islands are a reflection of solo time in nature, being still and embracing quiet . more

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Graeme Green

A great landscape photo should have some kind of emotional power and get a response from the person looking at it, rather than just being a representation of a location. more

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Dingle Peninsula

My friends are passionate photographers, primarily landscapers, yet with differing photographic interests and different ways of seeing and making images. more

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The Uninvited Guest

The guest we carry around with us is fear; fear of failure, of not fitting in, of not living up to our expectations, the vision of our perfect self, doubting ourselves, even when in our own minds we are clear as crystal. more

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‘Monochrome’

An exhibition by the Society of Scottish Landscape Photographers which consists entirely of black and white images, based on a mix of traditional landscapes and images with a more ‘creative’ edge. more

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Wiltshire

My latest project ‘Wiltshire,’ is fundamentally about the heritage in our landscape. Kept, lost or rediscovered, our landscape is brought into question more than ever before. more

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Issue 191 PDF

Click here to download issue 191 (high quality, 100Mb) Click here to download issue 191 (smaller download, 55Mb) more

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Luminosity and Contrast by Alister Benn

Someone once said to me “Writing about composition is a bit like dancing about architecture”. A large amount what we tend to do is instinctive, both during capture and in post-processing, and it’s very hard to put these things into words. more

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End frame: Reclaimed | Padley Gorge , The Peak District by Matt Oliver


It was becoming clear time had been spent with the subject Matt was photographing by really studying the landscape - using his foreground effectively to draw you in immediately. more

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Little known Idaho gems

The authors have driven every route to ensure each trek's accuracy and attractions, from breathtaking scenery and landscapes to artefacts that still occupy these unique spaces and speak to Idaho's fascinating history. more

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Tina Freeman’s “Lamentations”

The project Lamentations is a series of diptychs that function as stories about climate change, ecological balance, and the connectedness of things across time and space. more

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It’s Time We Were Critical

Used this way, by explaining why something works and constructively criticising less well-executed work, criticism can really help others improve their work. more

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Abstracted:Architecture

Abstracted:Architecture is a study of the buildings in and around Canary Wharf as they relate to the bodies of water that surround them. more

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