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Back in May, Theo Bosboom and I asked readers to fill in a survey on the environmental aspects of landscape photography, not really knowing what to expect. 276 of you answered, many at length, and the results are published in full this issue. The headline numbers are reasonably encouraging: 86% of us take most of our photographs within 250km of home, and 43% took no flights at all in 2025. Set against that, though, only a third of respondents intend to fly less in future, nearly half have no plans to change, and 70% still reach for the car, mostly still running on fossil fuel, for local trips (poor public transport still an issue). And there’s an obvious catch with a survey like this: the photographers doing the most flying and location-hopping are probably the ones least likely to have filled it in.
While we were publishing the results, a rather more direct reminder turned up close to home. A wildfire broke out near Ryvoan Bothy in the Cairngorms in the middle of July and, driven by strong winds, spread as far south as Aberdeenshire before crews got it under control. It’s the kind of thing that makes the survey’s numbers feel a bit less abstract (local photographer Graham Niven has taken some incredible photos).
Which brings me, a little incongruously, to a wedding. We travelled south to Gloucester a few weeks ago, and stood through the vows and speeches in full black tie in what turned out to be 36-degree heat. There is nothing like a dinner jacket in that kind of heat to concentrate the mind on the climate - it’s one thing reading about record temperatures, quite another feeling your shirt welding itself to your back during the photographs. Not quite the flash flooding or 40C bushfire heat we keep reading about elsewhere, but a minor inconvenience that made me think of the survey results all the way home.
None of which is to say any of this adds up to a tidy conclusion - it doesn’t, and Theo and I were careful not to turn the survey into an accusation. But do read the results in full, as they’re more interesting and more useful than the possible echo-chamber version we feared.

Local photographer Graham Niven’s work documenting the wildfires. Please see his Instagram and website for more work.
Tim Parkin
Issue 353
Click here to download issue 353 (high quality, 142Mb) Click here to download issue 353 (smaller download, 92Mb) more
Any Questions, with special guest Eric Bennett
Tim and Eric discuss the changing culture around landscape photography, including the shift away from chasing iconic locations and toward making more personal, nuanced work. more
September Morning, Falzarego, Dolomites by Dino Marsango
This photograph speaks to me on a deeply personal level, both as a photographer and as someone who feels a strong connection to the Dolomites. more
4×4 Landscape Portfolios
Welcome to our 4x4 feature, which is a set of four mini landscape photography portfolios which has been submitted by Julian Cartwright, Luke Sutton, Tom Richardson & Tom Townsend more
Matt Palmer
Some of the most joyful moments in photography are when someone quietly makes beautiful, insightful, communicative work, they enter without any ego, and they are celebrated. more
The Results of the Survey about the Environmental Aspects of Landscape Photography
With 276 participants, we received a good response to the survey. We are also particularly pleased with the comments made by many respondents beyond the scope of the questions; these are at least as valuable as the answers themselves. more
A Man, a Van & a Camera
2026 will mark the 4th year of travelling full time with my wife, Nicola, in our VW Transporter Campervan. So far, we have visited 22 different countries, as far north as Norway and down south to Greece. We have parked up in some incredible locations, met some wonderful people and had the odd breakdown or three. And all while trying to eke out some kind of living from travel writing and photography. And yet, despite the challenges, there’s nowhere else more
Creative Permission
Looking at the spreadsheets in early 2025, it was pretty clear that the hold up was all in my head; most of my income no longer directly depended on monetising my adventures, but a lingering freelancer scarcity mindset made it hard to let go of this. more

