Articles

editorial

• Should landscape photography always please us?

  How great and vulnerable the world can be

• The moment I said it

  My meeting with the Orsay Museum bookstore

• Simple Things

  A little slice of heaven

• Convergent vs. Divergent Thinking in Photography

  Intentional VS Exploration

• Beach Aerials

  The great dynamism of the coast

• Boring Postcards 2

  Images from the Edge of the Forest

• The Photographer’s Extended Mind

  Neuroplasticity, the ability of the brain to restructure

• A New Found Love of the Landscape

  Empathy for the world around us

• Direct to Plate Photogravure

  Smashing Ink into Paper

• On Engagement with ‘Form’ Part Two

  Place

• Cleansing the Soul

  The golden light of morning

• Can You Hear the Music?

  The skills of Previsualization

• Winter Colour

  Lessons the mountains teach us

• The Challenge of Over Shot Locations

  Finding Novel Compositions in the Palouse and Yellowstone

• The Art of the Print

  Competing in Photography

• The Big Move

  See with the heart, shoot with the head

• Reading the Landscape

  The Inverse Image

• Exploring Sumi-E

  Winter is coming

• On Engagement with ‘Form’

  Part One

• The Perfect Failure

  A dream picture that was not taken (yet)

• Landscape and all that Jazz

  Rhythm, Light and Composition

• Geotagging, Gatekeeping, and Responsible Location Sharing in Landscape Photography

  Can We Balance Access to the Outdoors with the Need for Preservation?

• What Makes a Great Photo?

  Exploring Our Values and Identity as a Photographer

• But What’s in the Mountains?

  The Santa Lucia Mountains

• Boring Postcards

  Or how boring must an image be before it becomes interesting

• On Labels and Limitations

  The Importance of Creative Freedom

• Ghostly beauty

  f/8 and be there

• Natural Landscape Photography Awards

  The Fourth Year

• On the Collecting of Images

  … and what it says about us

• Ansel Adams in Our Time

  Explaining a Disappointing Exhibit