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Trophy Hunting in Utah
Don’t knock trophy hunting, it’s OK once in a while, and they are trophy shots for a reason. more
The Decaying Alps
The reality I saw was quite different, and yet perhaps no different to any other mountain landscape. Switzerland is a developed country, not a wilderness. Humanity’s presence is everywhere – even if landscape photography rarely embraces that presence to its full extent. more
Perfection or Excellence?
Why should I spent so much of my time chasing something that is not possible for me to achieve? Is it not better to chase something that can be achieved and measured? more
Steve Gosling and the desire to touch…
Two images then, one which calls for the viewer to reach out and stroke its softness whilst the other forbids any such interference. more
Large Format Lenses – The Standards
When people first try out large format photography and they come to the choice of lens for their first kit, they typically make a few common mistakes. more
End frame: Pale Shelter by Mark Littlejohn
Why am I drawn to it so much? I think the combination of the blizzard-like conditions, which produce a whiteout around the whole border of the image, added to the deep snow on the ground make for a truly beautiful winter scene. more
Limestone Landscapes
One rock stands out, to me, as just that little bit different, that little bit special – limestone. Limestone has a story to tell like no other, a story that spans the vastness of geological time and yet one that continues on a scale more comprehensible to humans. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Fabrizio Marocchini, Harris Steinman, Paolo Berto & Richard Ellis more
Sea and Structure
I was brought up by the sea in a village protected from the ravages of the ocean by an extensive groyne structure. more
Similarities
This series is titled "Somiglianze" (similarities): I have approached different images, linked by visual analogies. more
Fire / Unseen
These images are of the residual marks left by water receding from the shoreline – an area of the conjunction of a river with the sea. more
Asturias
Asturias, wild land, a thousand faces between the high-carved cliffs that look at the ocean and play with it. A walk in early June, when the spring gives way to summer timidly bursting. more
Geoff Woods
The image is very important, it must have feeling, and it must speak for you when you’re not there. A picture must say a thousand words as they say. more
Exhibition 2
Ian Cameron and I have joined forces for our second shared exhibition. There is no ‘theme’ as such to the exhibition as it is a selection of the work we have produced individually over the last two years. more
Chalk Hills White Horses
A surprise to find the words when photographing the White Horses and Hill figures in Southern England. more