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On the Edge – Combahee to Winyah
On the Edge is a collaboration between J Henry Fair and the Coastal Conservation League who, in this project, bring our attention to the beauty of, and the impending threats to, our coastal regions. more
Creation by Passing Ducks and The Representation of Reality
I suggest only that if an image is to have any deeper meaning in the realist sense, then keeping a strong link between image and the real landscape is important. more
End frame: Torridonian Sandstone by Alex Nail
For me, it represents the darker and more foreboding side of Scotland and perhaps one which I should embrace more when I encounter it, rather than just purely seeking those wow moment – just one reason I have moved up here. more
Beyond Equivalence
The Equivalent is one of those ideas that in practice grows by the efforts and accomplishments of the people who explore it. ~ Minor White more
Quiet
The landscapes I capture on the remote Scottish Islands are a reflection of solo time in nature, being still and embracing quiet . more
Graeme Green
A great landscape photo should have some kind of emotional power and get a response from the person looking at it, rather than just being a representation of a location. more
Dingle Peninsula
My friends are passionate photographers, primarily landscapers, yet with differing photographic interests and different ways of seeing and making images. more
The Uninvited Guest
The guest we carry around with us is fear; fear of failure, of not fitting in, of not living up to our expectations, the vision of our perfect self, doubting ourselves, even when in our own minds we are clear as crystal. more
‘Monochrome’
An exhibition by the Society of Scottish Landscape Photographers which consists entirely of black and white images, based on a mix of traditional landscapes and images with a more ‘creative’ edge. more
Wiltshire
My latest project ‘Wiltshire,’ is fundamentally about the heritage in our landscape. Kept, lost or rediscovered, our landscape is brought into question more than ever before. more
Where the Land Meets the Sea
The Light and Form Group’s inaugural ‘Where the Land Meets the Sea’ exhibition takes place at the New Ashgate Gallery in Farnham, Surrey, from 17-28 September 2019. It features more than twenty works by landscape photographers Phil Edwards, Lisa Mardell and Jo Pannifer, inspired by that magical space where sea, sand and sky meet, and also showcases contemporary silver jewellery by Tracy King. more
Luminosity and Contrast by Alister Benn
Someone once said to me “Writing about composition is a bit like dancing about architecture”. A large amount what we tend to do is instinctive, both during capture and in post-processing, and it’s very hard to put these things into words. more
End frame: Reclaimed | Padley Gorge , The Peak District by Matt Oliver
It was becoming clear time had been spent with the subject Matt was photographing by really studying the landscape - using his foreground effectively to draw you in immediately. more
Little known Idaho gems
The authors have driven every route to ensure each trek's accuracy and attractions, from breathtaking scenery and landscapes to artefacts that still occupy these unique spaces and speak to Idaho's fascinating history. more
Tina Freeman’s “Lamentations”
The project Lamentations is a series of diptychs that function as stories about climate change, ecological balance, and the connectedness of things across time and space. more