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Endframe: Seattle Gasworks by David Fokos
Some images pass by while others grab your attention immediately but still allow you to move on. Others both grab your attention immediately and get under your skin. more
Thomas Joshua Cooper
Last year, Colin McClean suggested that we should interview with Thomas Joshua Cooper, the Professor and founder of the Fine Art Photography Department at Glasgow School of Art, and with Colin's connections with the Department, he offered to help arrange it. more
Fay Godwin – The Drovers’ Roads of Wales and Other Photographs Exhibition
Fay Godwin’s work advertised as ‘The Drovers’ Roads of Wales and Other Photographs’ in the MOMA Gallery, Machynlleth, Wales. more
A Technique for Editing Your Photography…
You may have your own methods, for your own purpose. For each of us, these might be very different. I hope these thoughts might add something to your own thinking and workflow. more
Scott Robertson
This was my first proper introduction to the world of landscape photography and it was these landscape interpretations that tugged on my imagination and emotions unlike my own snap happy creations. more
Surviving Winter
In the same way, how many photographers do a proper review of their kit before heading out to capture the beauty of the Winter landscape? And how much awareness do we have of some of the risks we may be running when we are lured by the crystalline magic of the season..? more
Issue 132 PDF
Discussion of the Sublime usually drifts through what the concept actually means - literally a fascination with something that makes you fear, not just for your life, but also for your soul. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of 4 landscape photography portfolios from our subscribers: Antonio Correia, David Ball, David Fearn & Peter Russell. more
THAW
We interviewed Timo for our Featured Photographer spot back in May 2014. He’s currently in the final stages of preparing a new exhibition of images of the melting polar ice cap which opens in London next week. more
Photography on the Trail
By its very nature, landscape photography requires the photographer to be outdoors. But what happens when you extend that time in the wild to days or weeks? How does that change your approach to photography more
Roger Voller
For a few, photography may be about gear and technique; for many, it is an escape from day to day responsibility and the experience is as important as the resultant images; but increasingly its importance is as an outlet for our frustrated creativity. more
First Light Inspired Exhibition Launch 4th March
In Issue 130 we announced the launch of our next exhibition at the Joe Cornish Gallery. Working with Adam and Jo from the gallery, we wanted our second exhibition at the gallery to show what an influence Joe Cornish has been on landscape photography in the UK. Going back through our featured photographers and other interviews (and talks at the conference), the common theme with a lot of photographers was who they drew inspiration from when they were defining their more
Photography and The Wonder of Life
By asking photographers why they photograph I learned that many are unable to clearly articulate their reasons; and among those who do cite such reasons, I am often intrigued by the diversity of answers. more
Why I love my iPhone for landscape photography
I think that the French painter and sculptor Jean Dubuffet (1901-1985) would approve of the iPhone in the making of art. Dubuffet eschewed traditional aesthetics in favour of what eventually became known as art brut, or outsider art. more
Issue 131 PDF
We’ve an interesting riposte to Mike Chisholm’s (intentionally) controversial article a couple of issues ago. Mike’s premise was that Landscape Photography is a dying husk of a genre and there is little left to be original with. Joe’s eloquent response provides the necessary counterpoint to the article more