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On Photographic Technology
No matter how conservative or traditional we are, or wish to be, in our work, I believe that a proactive and rational approach to assimilating (or rejecting) new technologies is a better strategy than to be in denial of them. more
Portrait of a Photographer – Anna Morgan
I get the sense that the subject is much deeper than a collection of simple objects in nature, rather, each image asks the viewer to reflect deeper within oneself to find something more. more
Jane Fulton Alt
Much of Jane’s work evolves around cycles of life; whether we recognise it or not photography is both a response and an antidote for us all to personal circumstances as well as those that impinge upon our existence. more
Using Dark Tones to Create Drama and Tension
Dark images can elicit a vicarious emotional response, heightening our senses and engaging us to imagine tension, isolation or a sense of danger. more
A Cairngorms Learning Curve
I wanted to head deep into the Cairngorms to one of the places I’d longed to photograph in winter for many years; the Loch A’an Basin. more
Winter Trees
Cottonwood trees grow there and show lovely, soft spring green leaves as the season begins, and develop a deep rich green that contrasts with the dark red sandstone walls. more
Issue 212 PDF
Click here to download issue 212 (high quality, 189Mb) Click here to download issue 212 (smaller download, 140Mb) more
Robert Adams
I have wanted to write an article about Robert Adams for some time. Not because I know a lot about him. On the contrary, it is because I know so little about him that I wanted an excuse to find out more. more
Landscape as Habitat
It would be difficult to argue with the proposition that all landscape is habitat. Across the world, animals thrive and make their homes in every niche of the ecosystem. With wildlife film-making being the widely disseminated art form that it is, everyone is aware of the sheer variety and peculiarity of the natural world, evolved through time and adaptation. more
End frame: Metamorphosis by Alister Benn
There have been many favourite influential images for me over the years. One I remain enamoured with, as much today as the first moment I saw it, is Metamorphosis by Alister Benn. more
Passing Through – Paul Gallagher
Being as the lockdown has put a bit of a dampener on the concept of Passing Through, we've decided to go virtual and have a remote chat with Paul Gallagher about what he has been up to since we spoke to him last. more
Holloways
Ensconced by high earthen walls and a canopy of trees for a roof, I wander through the ancient sunken holloways of Devon. These are powerful portals into deep time, where the echoes of the old world seem palpable. more
Frank Sirona
All the limitations I´ve mentioned render photography a much more conscious process and that, of course, has an impact on the results you´ll bring home. more
A Last Interview with Richard White
The interview below is the final transcription of that dialogue with Richard. It's taken us a few months to be able to process this interview, as we recognise what it represents. more
The Wounded Hill
Titterstone Clee Hill is an iconic and much-loved feature of South Shropshire, looming above the medieval market town of Ludlow. more