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Graduated Filter Colour Accuracy Testing – Part Two
Sometimes you think you've got things so right and yet, when you look at the result, you realise that something has gone significantly wrong. In the last issue I published the results of a series of test on graduated filters, even though I had a few doubts about the results. more
End frame: “Trees in Gale” by Sir Wilfred Thesiger
Thesiger, a largely self-taught photographer, realised that he could bring to life the incredible scenery he witnessed and the peoples whose cultures he respected and cherished. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Ben Schreck, Jack B Turner, Nils Leonhardt & Simon Gulliver. more
Krista McCuish
For those that find the North truly magnetic, the idea of limitless wetlands and coastal areas where nature still holds sway may just make you a little envious. more
The Second Kind
What, then, are the things that second-kind photographers “gain by taking pictures they are interested in,” that are significant enough to warrant declining a prestigious job offer? more
A Shaded Path
The project was based on four months in Kyrgyzstan, highlighting the generational disparities between those nostalgic of the abolished USSR order and modern westernised youths born after the fall. more
Featured Photographer Revisited
Tim spoke to Lizzie Shepherd for our Featured Photographer spot back in March 2013. Looking through her website it’s clear that her image making has developed since the original interview more
Printing makes you a real photographer
My argument against printing is, in fact, not against printing at all. It is against everyone printing or feeling that must print. more
If No One Saw Your Photographs
Despite the flood of pictures we see on a daily basis, I still believe in a photograph’s ability to influence people’s behaviours and decisions. more
Issue 170 PDF
Click here to download issue 170 (high quality, 110Mb) Click here to download issue 170 (smaller download, 59Mb) more
End frame: ‘Shadows on the wall, Firostephani’ by Clive Minnitt
The angle used perfectly displays the design of the composition - the ever important gap between the terracotta vessel and the edge of the staircase. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Christine Lavanchy, Michael Berg, Stuart Westmore & Vladimir Kysela more
Joan Kocak
Developing themes and series is the way I work best. I don’t always start out with a particular theme; often it just happens. Over time a pattern of images presents itself and becomes a series. more
The Collaborative Photographer
Photography, at least in the way I practice is, is a complete solitary endeavour, and in fact, that is one of the things that attract me the most about it. more
Changing Perceptions in Landscape Photography
If the message is meant to raise awareness or be a call to action, then the photographer is best served by also adopting behaviours and strategies that support the veracity of their narratives. more