The High Moor
I was travelling in middle France, searching for inspirational places, as there are many highlands there. I eventually came across these ones, they were one of the most isolated areas I've ever seen in this country, apart from the high mountains like the Pyrenees or the Alps. I more
Varieties of Experience
Appreciating the experience of a chance encounter with beauty as worthy in itself, requiring no further qualification to be regarded as unequivocally good, already makes the entire photographic endeavour a positive and venerable one. more
Skye – off the beaten track
In April, Tim and I went to the Isle of Skye for two days to see if we could get away from the madding crowds (even on a busy Bank holiday). I think we did OK but we wanted to ask our subscribers to send in their images from less travelled Skye locations. Although we're sure a fair few people would rather keep some locations quiet, a few people were willing to share there own favourite spots. A big more
Jo Stephen
A few years ago, I set out to try and capture images that illustrated the ephemeral quality of the nature around me. I wanted to explore the movement of energy between subject and landscape. more
Why are neutral density graduated filters so popular?
Although I am dedicated to the post-production stages of photography I also believe that getting things ‘right’ in camera makes the editing stage a great deal more enjoyable. more
A Path Not Far
The project, or series of photographs, is from the local area where I live, West Lothian. West Lothian itself is geographical quite a small county situated in the central belt of Scotland more
Issue 183 PDF
Click here to download issue 183 (high quality, 112Mb) Click here to download issue 183 (smaller download, 72Mb) more
Graduated Filter Test – Part Five (Bonus!)
It was pointed out by a couple of readers that I’d missed a couple of tests that they would have liked to have seen. These were a ‘scratch resistance’ test and a vignetting test. Whilst I didn’t foresee these changing the results really, I was keen to include them. I also promised a short video on each filter to demonstrate some of the usability issues I’d talked about in the last issue. Skip this section if you just want more
End frame: One-way bridge at Trafalgar, by Fay Godwin
It is a beautifully balanced image. And then what makes the image for me is that the darkness under the bridge frames an image that is complete in itself—another view of the railway line overshadowed by another slender tree. more
Subscribers 4×4 Portfolios
This issue our 4x4 landscape photography portfolio feature is from subscribers: Bob Davis, John Higgs, Martyn Pearson & Priyanka Paltanwale. more
Into the Woods!
While capturing these photographs I just had one thing in my mind and that was to capture the mood. In photography, light play very important role. You have to be there on location at right time. more
Torfskeri
The primary intention of the work is to interrogate the effects of human intervention on the dynamics of our atmosphere using the tools of expressive photography. ‘Torfskeri’ is an Old Norse name for the iron tool for cutting peat. more
States of Water
I studied archaeology to degree level and the circle was a reoccurring theme in prehistory that particularly interested me. more
Buried in the Rocks
On the afternoon of the 2nd of February 2018, I witnessed an accident which truly shaped my practice as a photographer. This incident, which will forever hold a place in my mind, had a strong influence on a recent project - ‘Buried in the Rocks’ and became the first location I shot for the project. more


