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Peter Heaton
From ‘Dark Landscapes’ to the complexities of layered visuals, drawings and text - and sound - Peter shares with the viewer his home ground of North Yorkshire and the Yorkshire Wolds, some of the thoughts and emotions attached to being in the landscape, as well as his concerns for our environment. more
Chris Murray – Portrait of a Photographer
Chris weaves stories and narratives through each image and adds just enough mystery (or perhaps leaves just enough out) to keep the viewer engaged for a long period of time. more
Key Lessons from Old Pictures
As art students, we were taught the principle of being prepared to ‘Sacrifice the Beloved’. This gory-sounding epithet means that those parts of a piece of art we might have considered crucial in the early draft, or original concept, sometimes have to be ditched to allow the final version to really work. more
Finn Hopson
The South Downs is still where I spend most of my time with a camera. I’ve been photographing this area for about eleven years now, but if 2020 has taught me anything it’s that there is still so much to discover on my doorstep. more
The Promised Land
Joshua Tree National Park is wonderfully ordinary and I understand its popularity. Slowing down to listen to cactus wrens, watch the light change, and photograph with no expectations has been one of the greatest gifts I’ve received as a photographer. more
Ali Shokri
I never changed my vision, I strengthened it to look differently at the trees. They are not created just for fruits, they have another message. They have feelings, they live just like us. more
Wayne Suggs – Portrait of a Photographer
Wayne and another photographer by the name of Mike Groves were instrumental in the creation of the Organ Mountain Desert Peaks National Monument. more
On Equivalence, Expression, and Art
Photographers aiming for equivalence are most often those who are intrinsically motivated to find value in the creative process for its beneficial effects on their own psyche and on the quality of their inner experiences. more
Turning Back from the Edge of the World
Overall the mood is quite dark and brooding. There is even a sense of melancholia, particularly if we bring our knowledge of these deserted, abandoned islands to the image itself. At St Kilda and Boreray we have reached the end of the world but we are not welcome. more
Paulo Valdivia
After talking to Paulo, and reflecting on the many interviews I’ve undertaken for On Landscape, it’s clear that for everyone inspired at an early age by a parent or relative, there will be others who come to photography later in life. It doesn’t really matter when you start making images or begin any new creative pursuit, so long as the timing is of your choosing, and you trust yourself. What comes across in our interview with Paulo is a more
What Is Real?
We must be unapologetic and explicit in our aim to show viewers things they almost certainly would not see on their own, to inspire in our viewers experiences they would never have if it were not for our subjective sensibilities and feelings, our creative and expressive skills, and not just our technical abilities. more
G Dan Mitchell
It was probably over a decade ago, more like 15 years I imagine, when I first saw Dan's photographs. I think it may have been on Fred Miranda or possibly via a blog circle. more
Jennifer Renwick – Portrait of a Photographer
I decided to focus on the artwork of a photographer who has long inspired me, not only because her photographs are powerful, evocative, and unique, but because she is one heck of an amazing person and a fabulous steward of the natural places we all cherish. more
Kevin Krautgartner
For the ultimate in abstracts, take to the air. From the glacial rivers in Iceland that we have become familiar with to the landscapes of Australia, Kevin Krautgartner’s images show that there is plenty to find and enjoy at a larger scale. more
When Time, and Trees, Stood Still
Although photography is a visual medium I like the idea, or sense, of listening to the trees, of being receptive to their whispering voices. And I heard that there is much to be said for standing still. more