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It Takes Two
Since inviting conceptual blending into my photographic process, I now make photographs about the land and my independent—and ever-evolving—relationship and connection with it versus simply images of the land. more
Issue 129 PDF
The passing of any year brings thoughts of change, the chance to shuffle off old habits and the opportunity to make new starts. more
Meeting of Minds Conference Exhibition
During our Meeting of Minds Conference held at The Rheged Centre from the 18-20th November 2016, we ran a community exhibition. Each of the delegates was invited to submit an image into the exhibition which was to be exhibited in the Rheged's main exhibition space. Fotospeed supported the venture and kindly printed and mounted each image on foamboard for us. The exhibition was part of our goal of creating conversation and bringing together like-minded people to talk about their craft more
Endframe: Upper Torridon, Winter Dawn by Joe Cornish
The midground provides a delicate connection between the upper and lower regions of the frame, with the two crops of land almost ‘reaching out’ to each other. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios from our subscribers: Gaetano Pimazzoni, Graham Devenish, Matt Lethbridge & Matteo Natalucci more
Alex Winser
Alex credits his interest in photography to a love of nature which inspired him to buy a camera and explore the world of macro photography. more
South Georgia
Travelling to the end of the world is not an easy task, and South Georgia certainly qualifies for this category. First, you need to cross 1850km of open water from the southern tip of South America over the Scotia Sea to get there; a voyage which can be a stormy inferno if the luck isn't with you. So I thanked God that this time mother nature was kind to us as we had four days of gentle rolling on more
Moving into Film
I’ve never really been a kit man, so to speak. Since starting my journey in landscape photography a few years ago, almost every shot I have taken has been on one of two lenses. Now I can already imagine the incredulity that some will feel reading this, what an amateur! But I think it boils down to two reasons – firstly to save weight as a lot of my photography is spent up and down mountains and secondly the cost more
Bye, Bye Landscape Photography, Dear
Sheer populousness is often a sign that something has peaked, and that its exciting, pioneering days are over. Given how varied the world is, and how different people are, I wondered: why do so many landscape photographs look exactly the same more
The Path of Opportunity
Once the brain is primed to pursue a singular goal or solution, it will focus attention on that outcome to the detriment of others. more
Issue 128 PDF
This week, in between moving houses and scanning film, I’ve been judging another photography competition. This time it’s the International Landscape Photographer of the Year, a competition run by Peter Eastway of Better Photography. more
Subscribers 4×4 Portfolios
Our 4x4 feature is a set of four mini landscape photography portfolios from our subscribers: David Haughton, Istvan Nagy, Jason Riley & Jörg Frauenhoffer. more
Carla Regler
Living in such a close community with the locals and fishermen they often tell you stories and the stories are often how big the waves were, and sometimes it’s hard to believe. more
Endframe: Radiant Pastels by Guy Tal
Guy Tal’s “Radiant Pastels” represents one of the many images that drew me to his photography. It impresses me with its deep energy, stillness, and contemplative quietness. more
The Sport of Waterborn Photography
I have to say that the experience of producing photographs at such a pace, of being forced to instinctively compose and recompose, was extraordinarily powerful. more